Construction of church 1ère moitié du XVIe siècle (≈ 1650)
Building built in one country.
12 janvier 1931
Registration for Historic Monuments
Registration for Historic Monuments 12 janvier 1931 (≈ 1931)
Official protection of the building.
1993
Creation of a modern window
Creation of a modern window 1993 (≈ 1993)
Work by Gérard Lardeur.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Saint Peter's Church (cad. A 464): inscription by decree of 12 January 1931
Key figures
Gérard Lardeur - Glass artist
Author of the 1993 stained glass window.
Origin and history
The church of Saint-Pierre de Romegoux, located in the Charente-Maritime department in New Aquitaine, is a Catholic religious building built during the first half of the sixteenth century. It is a homogenous example of the Gothic Saintongeese style, a late variant of the Gothic Angelvin, characterized by architectural elements such as star-shaped arches and fried windows. The monument is distinguished by its massive, unfinished bell tower, which dominates the rectangular structure of the building.
Inside, the church houses frescoes dating from the 18th century as well as a contemporary stained glass window created in 1993 by artist Gérard Lardeur. The main vessel, divided into three spans, is covered with vaults adorned with lichens and thirdons, while the flat bedside is pierced with a flamboyant two-lined window. The building, owned by the commune, has been listed as historic monuments since 1931, highlighting its heritage importance.
Saint Peter's church, built in a single countryside in the 16th century, reflects the constructive techniques of the time, with lateral foothills and a square chapel to the north. Its bell tower, designed to support an ever-completed hooked arrow, bears witness to the architectural ambitions of its builders. The vault separating the ground floor from the first floor has disappeared, but the vault on the first floor, decorated with complex motifs, remains.
This monument is part of a historical context marked by the transition between the Middle Ages and the Renaissance, when parish churches played a central role in community life. In Saintonge, a region under both religious and seigneurial influence, these buildings served as places of worship, assembly and representation of local power. Their architecture often reflected the wealth and know-how of building corporations.
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