Construction of the Absidial Chapel XIIe siècle (≈ 1250)
The oldest seigneurial part.
XVe siècle
Edification of the nave
Edification of the nave XVe siècle (≈ 1550)
Dominating Gothic style.
XVIIe siècle
Addition of hexagonal sacristy
Addition of hexagonal sacristy XVIIe siècle (≈ 1750)
North extension of the building.
17 juillet 1926
Historical Monument
Historical Monument 17 juillet 1926 (≈ 1926)
Official registration of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 17 July 1926
Key figures
Henri Mazuet - Glass artist
Author of church stained glass windows.
Arcisse de Caumont - Historian and archaeologist
Documented the church in 1862.
Lucas van Leyden - Painter (assignment)
Triptych *Nativity, Magi Adoration*.
Origin and history
Saint-Pierre de Saint-Pierre-Azif is a Catholic building located in the Calvados department in Normandy. Built mainly in the 15th, 17th and 18th centuries, it combines various architectural elements, including a flamboyant Gothic nave and a 17th century hexagonal sacristy. Its Lombard bell tower, blind and stylish, as well as its Renaissance porch, which houses a Virgin with Child and a Saint Nicholas, testify to its stylistic evolution over the centuries.
The church is renowned for its canonial dials engraved on the south wall, medieval tools for measuring time, as well as for its stained glass windows signed by Henri Mazuet. Inside, the furniture classified as Historic Monument includes paintings (including a Presentation to the Temple attributed to the school of Rubens), religious statues, and a triptych possibly linked to Lucas van Leyden. The absidial seigneurial chapel, older (12th century), contrasts with the slender nave of the 15th century, illustrating the historical strata of the building.
The church has been listed as a historical monument since 17 July 1926 and is the epitome of Norman religious heritage. His lying, his windows narrate biblical episodes (such as the Baptism of Christ), and his funeral liter emphasize his role both spiritual and memorial. The references of Arcisse de Caumont in his monumental Statistique du Calvados (1862) confirm its local importance as early as the 19th century.
The parallelepipedic staircase, adjacent to the bell tower, and the foothills of the nave reflect constructive techniques adapted to liturgical and defensive needs. The two horizontal larmars of the facade, typical of Lombard architecture, reinforce its hybrid character, between Romanesque tradition and Renaissance innovations. The site remains a major testimony of sacred art in Auge Country.
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