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Église Saint-Pierre-ès-Liens de Mauvezin-sur-Gupie dans le Lot-et-Garonne

Patrimoine classé
Patrimoine religieux
Eglise gothique
Clocher-mur
Lot-et-Garonne

Église Saint-Pierre-ès-Liens de Mauvezin-sur-Gupie

    Le Bourg
    47200 Mauvezin-sur-Gupie
Église Saint-Pierre-ès-Liens de Mauvezin-sur-Gupie
Église Saint-Pierre-ès-Liens de Mauvezin-sur-Gupie
Église Saint-Pierre-ès-Liens de Mauvezin-sur-Gupie
Église Saint-Pierre-ès-Liens de Mauvezin-sur-Gupie
Église Saint-Pierre-ès-Liens de Mauvezin-sur-Gupie
Église Saint-Pierre-ès-Liens de Mauvezin-sur-Gupie
Église Saint-Pierre-ès-Liens de Mauvezin-sur-Gupie
Crédit photo : Henry Salomé - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
XIIIe siècle
Initial construction
1437-1442
Partial destruction
Seconde moitié du XVe siècle
Gothic reconstruction
Fin XVe - début XVIe siècle
Flamboyant gothic horse
1733
Construction of sacristy
XIXe siècle
Neo-Gothic decor
1942-1944
Fresques de Masutti
23 septembre 1958
Historical monument classification
1976-1982
Complete restoration
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Box B 440, 2nd sheet): inscription by decree of 23 September 1958

Key figures

Raymond de Ferrand - Lord of Mauvezin Sponsor of the flamboyant Gothic bedside.
Gustave Alaux - Architect (11th century) Restaura the church, erroneous survey of the frame.
Eugène Viollet-le-Duc - Architect and theorist Studyed the framework in his *Dictionary*.
Giovanni Masutti - Italian painter Author of frescoes (1942-1944).
André Desgrez - Architect of the Buildings of France Supervised the restoration (1976-1982).

Origin and history

The church of Saint-Pierre-ès-Liens, located in Mauvezin-sur-Gupie in Lot-et-Garonne, has its origins in the 13th century, although its present structure dates mainly from the 15th and 19th centuries. Built on a high site, it could have served as an observatory. Destroyed between 1437 and 1442, only the foundations and the base of the facade remained. Its reconstruction began in the second half of the 15th century, with the addition of two side chapels covered with arches. The flamboyant Gothic bedside was completed in the late 15th or early 16th century by Raymond de Ferrand, the local lord, whose coat of arms adorn a key to the vault.

The structure of the nave, in the shape of an overturned ship, is an exceptional architectural element. Although Eugene Viollet-le-Duc studied in his Dictionnaire raisonné de l'architecture française, his analysis was based on an erroneous survey by architect Gustave Alaux, dating back to the 13th century when it was carried out in the 15th century. A 1957 study revealed its technical uniqueness: a firm chevron frame with staggered punches and a single complete farm. Subsequent modifications, such as the nave windows, are attributed to Alaux, who restored the church in the 19th century.

In the 18th century, Abbé Dumas joined a sacristy (1733). The building, spared during the Revolution, was enriched in the 19th century by a neo-Gothic interior decor. Between 1942 and 1944, the Italian painter Giovanni Masutti made frescoes in trompe-l'oeil, including a Supper inspired by Leonardo da Vinci. Ranked a historic monument in 1958, the church was restored between 1976 and 1982 by the association Les Amis des pierres du temps passé, under the direction of architect André Desgrez.

The interior decorations, including Masutti's paintings, as well as the frame, testify to his stylistic and technical evolution. Father Brousseau also initiated restorations of the decor. Finally, the church illustrates the interaction between medieval heritage and modern interventions, with elements such as the lower vault feast, added later. Its inscription in historical monuments underscores its architectural and historical importance in the region.

External links