Crédit photo : Photographer: Pol Mayer - Sous licence Creative Commons
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Timeline
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1472
Aumal destruction
Aumal destruction 1472 (≈ 1472)
City destroyed by Charles the Temerary.
Début XVIe siècle
Construction begins
Construction begins Début XVIe siècle (≈ 1604)
Work started, interrupted by wars.
1610
Conclusion of work
Conclusion of work 1610 (≈ 1610)
Completion of the church after resumption.
1738
Disappearance of Jube
Disappearance of Jube 1738 (≈ 1738)
Interior element deleted this year.
1862
Historical monument classification
Historical monument classification 1862 (≈ 1862)
Official protection of the building.
1890-1893
Restoration of the nave
Restoration of the nave 1890-1893 (≈ 1892)
Works conducted by architect Lefort.
1940
Bombardments
Bombardments 1940 (≈ 1940)
Damage suffered during the Second War.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: ranking by list of 1862
Key figures
Charles le Téméraire - Duke of Burgundy
Responsible for the destruction of Aumale in 1472.
Jean Goujon - Sculptor and architect
Portail Henri II is awarded to him.
Lefort - 19th century architect
Restore the nave between 1890 and 1893.
Origin and history
The church of Saint-Pierre-et-Saint-Paul d'Aumale, located in the Seine-Maritime department in Normandy, is a Catholic building marked by a turbulent history. Its construction began at the very beginning of the sixteenth century, but the Wars of Religion interrupted the work for several decades. The work resumed and ended around 1610, giving rise to a building combining the flamboyant Gothic and Renaissance styles, characteristic of this period of architectural transition.
The partial destruction of the city of Aumale in 1472 by the troops of Charles the Temerary precedes the construction of this church, reflecting the political and military turbulences of the region. In the 18th century, in 1738, the church jube disappeared, probably changing the interior organization of the building. The church was classified as historic monuments in 1862, recognizing its exceptional heritage value.
In the 19th century, architect Lefort restored the nave between 1890 and 1893, giving the building some of its original brilliance. However, the 1940 bombings during World War II damaged the church again, adding an extra layer to its troubled history. Despite these trials, the church preserves remarkable elements such as a 16th century stained glass window depicting Saint Nicholas, a 17th century pulpit, and a 19th century high altar.
The building is distinguished by its imposing dimensions: 51.80 metres in length, a 25-metre-high choir, and a Renaissance tower culminating at 46 metres. The portal, attributed to Jean Goujon, is a notable example of the art of the French Renaissance, while the use of stone and chalk in construction bears witness to local resources and techniques of the time.
Today, Saint-Pierre-et-Saint-Paul Church remains a symbol of Normandy's religious and architectural heritage. Its classification as a historical monument and its presence in specialized databases, such as Mérimée or Clochers de France, underline its cultural importance. It continues to attract the attention of historians, architects and visitors, interested in its unique mix of styles and its history rich in twists.
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