Initial construction XIe–XIIe siècles (≈ 1250)
Romanesque period, main building built
4e quart XIIIe siècle
Gothic reshuffle
Gothic reshuffle 4e quart XIIIe siècle (≈ 1387)
Add mural painting of the choir
11 octobre 2004
Official protection
Official protection 11 octobre 2004 (≈ 2004)
Total Registration Historic Monument
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Box AK 93): inscription by order of 11 October 2004
Key figures
Information non disponible - No character cited
Sources do not mention any historical actors
Origin and history
The church Saint-Pierre de Loddes, located in the Allier department in the Auvergne-Rhône-Alpes region, is a Catholic building whose construction spans mainly between the 11th and 12th centuries, with significant changes in the 4th quarter of the 13th century. It is part of the landscape of the Basses Marches du Bourbonnais, a historical border area between the Bourbonnais and the Auvergne, marked by a characteristic Romanesque religious architecture.
The church retains an exceptional artistic heritage, including a 13th century wall painting adorning the vault of the choir. This fresco depicts the Coronation of the Virgin, a medieval iconographic theme rare in this region. The building, owned by the commune, was fully listed as historic monuments by order of October 11, 2004, recognizing its heritage value and remarkable state of conservation.
Available sources, including Wikipedia and the Merimée base, highlight its role in local religious heritage. The precise address, 1 Rue des Écoles in Loddes, and its Insee code (03147) confirm its territorial anchoring in the former province of Bourbonnais. Although further work (nineteenth century) is mentioned, its exact nature is not detailed in the documents consulted.
The historical context of its construction coincides with the rise of Romanesque churches in Auvergne, often linked to rural communities or local seigneuries. These buildings served as places of worship, community gathering and territorial markers in a region that was then fragmented into fief and parishes. Mural painting, on the other hand, bears witness to the influence of the artistic currents of the nascent Gothic, introduced into the region from the 13th century onwards.
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