Construction of the nave fin XIIe siècle (≈ 1295)
The oldest Romanesque element
1454
Vicariate of Pontarlier
Vicariate of Pontarlier 1454 (≈ 1454)
Church becomes a vicariate
1480
Lateral chapels erected
Lateral chapels erected 1480 (≈ 1480)
Addition of Gothic Chapels
1504–1508
Reconstruction of the choir
Reconstruction of the choir 1504–1508 (≈ 1506)
After fire, Gothic style
1777
Erection in Parish
Erection in Parish 1777 (≈ 1777)
Religious independence obtained
1845
Neo-classical facade
Neo-classical facade 1845 (≈ 1845)
Reconstruction by Pompey
1930
Glass by Albert Gerrer
Glass by Albert Gerrer 1930 (≈ 1930)
Religious scenes in glass windows
2004
Registration MH
Registration MH 2004 (≈ 2004)
Protection of heritage
2021
Intervention by Sarkis
Intervention by Sarkis 2021 (≈ 2021)
Kintsugi in the pavement
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Box B 46): inscription by order of 28 July 2004
Key figures
Pompée - Bisontin architect
Reconstructed the facade in 1845
Albert Gerrer - Glass painter
Author of stained glass (1930)
Sarkis - Contemporary Artist
Integer kintsugi in 2021
Origin and history
The church of Saint-Point de Saint-Point-Lac found its origins in the 12th century, when the monastery of Romainmôtier established a relay in the form of a chapel. The current nave, vaulted in the middle, dates from this period. The building became a vicariate dependent on Pontarlier in 1454, then saw the addition of side chapels in 1480, still visible today. These chapels and the choir, reconstructed between 1504 and 1508 after a fire, illustrate the transition between the Romanesque and Gothic styles, with arches in doghead crosses decorated with carved caps.
In the 18th century, the church underwent major changes: a sacristy was built, and the bisontin architect Pompey redesigned the facade in a neo-classical style, surmounted by a bell tower to imperial. In 1777 she became an independent parish. The figurative stained glass windows, made in 1930 by Albert Gerrer, represent religious scenes such as the Leak in Egypt or Saint Point in prayer. The building was listed as a historical monument in 2004, preserving its heteroclite furnishings, including a 16th century procession cross classified since 1910.
The church furniture reflects its turbulent history: a statue of the Virgin to the Child (XVI century), a Christ on the Cross (XVII century), and 19th century goldsmith's pieces, including a reliquary stolen in 1982. In 2021, contemporary artist Sarkis integrates golden elements into the pavement according to the Japanese kintsugi technique, dialogue with ancient heritage. The church, which is still active, is now dependent on the parish of Mouthe-Lac-Mont d.
Architecturally, the church is distinguished by its bell tower-piper with a dome to imperial, and its location in the heart of the village cemetery. The nave, the oldest element, contrasts with the Gothic choir and the 15th century side chapels. The 1930 stained glass windows, carved caps and adorned arch keys testify to the artistic richness of the building, while the neo-classical facade recalls the 18th century transformations.
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