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Church of Saint Quentin de Sailly-Laurette dans la Somme

Somme

Church of Saint Quentin de Sailly-Laurette

    2 Rue de la Barre
    80800 Sailly-Laurette

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1900
2000
1859
Gift from bas-relief
fin XVIIIe siècle
Initial construction
1914-1918
Destruction during the war
13 septembre 1925
Inauguration of reconstruction
mai 2000
Rediscovered from bas-relief
Aujourd'hui
Aujourd'hui

Key figures

Sénachal - 18th century architect Designed the original church for Corbie Abbey.
François-Augustin Carpentier - Sculptor of bas-relief Author of the *Martyre de Saint Quentin* (1859).
Marcel Gogois - Reconstruction architect Directed the post-First World War work.
Albert Roze - Sculptor of the 20th century Realized *The Good Shepherd* for the tabernacle.
Abbé Paul Decagny - Local historian Author of a book on Peronne (1865).

Origin and history

The church of Saint Quentin de Sailly-Laurette, located in the department of the Somme, was originally built at the end of the 18th century under the name of Saint Quentin and Saint Benedicte. This building, designed by the architect Senachal of Corbie Abbey, was completely destroyed during World War I fighting. A notable element of the old church was a bas-relief of François-Augustin Carpentier, representing the martyrdom of Saint Quentin, offered in 1859 by the Bishop of Amiens. This bas-relief, which disappeared after 1918, was rediscovered in 2000 in the Saint-Laurent church of Rozoy-sur-Serre (Aisne).

The reconstruction of the present church began after the war under the direction of architect Marcel Gogois. Inaugurated on September 13, 1925, it adopted a neo-Roman brick style, with a cruciform plan, a slate bell tower and a transept lit by a large glass window. The bedside ends in apse, and the openings recall the Romanesque style. Albert Roze, sculptor, directed Le Bon Pasteur for the tabernacle of the high altar.

The church symbolizes post-war reconstruction in the region, marked by the massive destruction of heritage during the conflict. His history is documented in books such as the History of the Borough of Peronne (1865) by Abbé Paul Decagny. The bas-relief of Carpentier, now preserved in the Aisne, bears witness to artistic exchanges between the dioceses of Amiens and Laon in the 19th century.

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