Donation by Acred 927 (≈ 927)
Duke of Aquitaine offers the church to the priory.
1096
Bubble confirmation
Bubble confirmation 1096 (≈ 1096)
Donation validated by the Church.
XVe siècle
Building construction
Building construction XVe siècle (≈ 1550)
Nef and current gate erected.
1963
Portal classification
Portal classification 1963 (≈ 1963)
Protection by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Portal, including vantals (Case C 412): registration by order of 28 June 1963
Key figures
Acfred - Duke of Aquitaine
Donor of the church in 927.
Origin and history
The church of Saint Quentin, located in Saint Quentin-sur-Sauxillanges, finds its origins in a donation dated 927, when Acced, Duke of Aquitaine, offered it to the priory of Sauxillanges. This attribution was confirmed almost two centuries later, in 1096, by a pontifical bubble. The present building, built in the 15th century, features a flat-bed nave vaulted in a broken cradle, embellished with later added side chapels. Its architecture thus reflects late medieval influences, while integrating later modifications such as the rectangular bell tower, dating back to an unspecified period.
The church entrance gate is an exceptional testimony of 15th century craftsmanship. Composed of two wooden vantals, it rests on a frame of crucifixes forming rectangular compartments, assembled with aronde tail. The wrought iron nails, with a rounded head or a diamond tip, as well as the lock engraved with symbolic motifs (croix, fleurs de lys, wave), illustrate the know-how of the artisans of the time. These elements, protected by a 1963 order, underline the heritage importance of the place.
The church of Saint Quentin, a communal property, embodies both a place of worship and a major historical vestige for the region. Its portal, classified as Historic Monument, attracts attention by its authenticity and decorative richness. Although some parts of the building have undergone transformations, such as the bell tower, the ensemble retains a stylistic consistency peculiar to the late Gothic, typical of the rural religious constructions of this period in Auvergne.
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