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Saint-Roman Church of Cessac en Gironde

Patrimoine classé
Clocher-mur
Eglise
Eglise romane
Gironde

Saint-Roman Church of Cessac

    35-37 Route de Cessac
    33760 Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Église Saint-Romain de Cessac
Crédit photo : William Ellison - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1700
1800
1900
2000
XIe siècle
Initial Foundation
XIIe - début XIIIe siècle
Carved decor and gate
1793
Revolutionary vandalism
XIIIe, XVIIIe et XIXe siècles
Successive changes
1er décembre 1908
Portal classification
10 décembre 1925
Total registration
Aujourd'hui
Aujourd'hui

Heritage classified

The Western Portal: by order of 1 December 1908; Church, with the exception of the classified portal: registration by decree of 10 December 1925

Key figures

Saint Romain de Blaye - Initial Church Patron Disciple of Saint Martin de Tours (died 385).
Saint Barthélemy - Current dedication Replaces Saint Roman as patron saint.
Salomé - Sculpted biblical figure Dancer on the gate (takeoff scene).
Saint Jean-Baptiste - Central character of the eardrum Decapity, only head spared in 1793.
Saint Michel - Archangel represented Fight against the dragon (inner capital).

Origin and history

The church of Saint-Romain de Cessac, located in the department of Gironde in Nouvelle-Aquitaine, is a Catholic building whose origins date back to the 11th century, as evidenced by the masonries in small pieces of rubble visible on the south wall of the nave. Originally placed under the patronage of Saint Roman of Blaye (disciple of St Martin of Tours, died in 385), it is today dedicated to St Bartholomew. Its architecture combines a short nave, a flat bedside flanked by a sacristy, and a western facade dominated by a typical Romanesque bell tower of the Saintonge, reinforced by a defensive brace.

The monument underwent major alterations in the 12th, 13th, 18th and 19th centuries, with a carved decoration added to the 12th and early 13th centuries, visible on the portal and in the choir. The western portal, classified in 1908 for its historic capitals, illustrates biblical scenes such as Christ in majesty surrounded by the apostles or the take-off of Saint John the Baptist, while the entire building was inscribed in 1925. The interior capitals, such as the one depicting St. Michael terrorizing the dragon or the Adoration of the Magi, reveal regional artistic influences, notably of the Abbey of La Sauve-Majeure, model for several sculptures.

External iconography includes modillons (eight of which date from the 19th century) and narrative tympanos, such as the dance of Salome for Herod, where the heads of the characters were mutilated in 1793 by revolutionaries — except that of Saint John the Baptist, already beheaded. Inside, four non-structural capitals of the ancient choir, reused as wall decorations, depict symbolic scenes (an intemperate monk, felines, the Eucharist) or morals, reflecting the novel themes. The Gothic masonries and modillons of the bedside ( crowned heads, cruciferous lamb) mark a stylistic evolution.

The church, a communal property, embodies a religious and artistic heritage marked by aquitaine and saintly influences, while bearing the traces of historical upheavals, from its medieval foundation to modern restorations. Its portal, ranked among the first historic monuments of Gironde (1908), and its total inscription (1925) highlight its exceptional heritage value.

External links