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Saint-Roman Church of Saint-Sauvant dans la Vienne

Patrimoine classé
Patrimoine religieux
Vestiges mérovingiens
Eglise romane et gothique
Vienne

Saint-Roman Church of Saint-Sauvant

    2-6 Allée de l'Église 
    86600 Saint-Sauvant
Église Saint-Romain de Saint-Sauvant
Église Saint-Romain de Saint-Sauvant
Église Saint-Romain de Saint-Sauvant
Église Saint-Romain de Saint-Sauvant
Église Saint-Romain de Saint-Sauvant
Église Saint-Romain de Saint-Sauvant
Église Saint-Romain de Saint-Sauvant
Église Saint-Romain de Saint-Sauvant
Église Saint-Romain de Saint-Sauvant
Crédit photo : Rentlau - Sous licence Creative Commons

Timeline

Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
500
600
1100
1200
1600
1700
1800
1900
2000
Ve siècle
Merovingian Sarcophages
1121
Connection to the Abbey
XVe–XVIe siècles
Major renovations
1810
Opening of the cemetery
1979
MH classification
Aujourd'hui
Aujourd'hui

Heritage classified

Saint-Roman Church (Cd. K 420): Order of 20 July 1979

Key figures

Saint Sylvain - Real church boss Priest sent to Gaul by Saint Peter.
Saint Pierre - Founding Apostle Sent Saint Sylvain on a mission.

Origin and history

The Saint-Sylvain church of Saint-Sauvant, wrongly classified as Saint-Romain in 1979, is a religious building located in the department of Vienna, New Aquitaine. Although his official name was linked to Saint Sylvain, a priest sent to Gaul by Saint Peter, an administrative confusion persisted. This choice could also be explained by the proximity of a vast forest, evoking the Roman god Sylvanus, guardian of the woods. The church, of priorial origin, was attached to the abbey of Celles-sur-Belle in 1121 and underwent major renovations in the 15th and 16th centuries, altering its original Romanesque aspect.

The bell tower holds a Romanesque vault with domes on trunks, while the nave, composed of three spans, dates from the thirteenth century. Among the remarkable elements, the capitals of the transept square represent owls, lions faced and human masks. The owl, an ambivalent symbol in Romanesque art, embodies both evil and wisdom. An 1886 stained glass window, created by the Julien Fournier de Tours workshop, embellishes the interior. Around the building, Merovingian sarcophagi attest to an active Christian community as early as the fifth century.

The outside of the church, without sculptures, contrasts with its rich history. The adjacent cemetery, opened around 1810, replaces an old burial site. Despite the transformations over the centuries, the church remains a witness to the architectural and spiritual evolutions of the region, from the Middle Ages to the modern era. Its classification in 1979 underlines its heritage importance, although its exact term — Saint-Sylvain — is recognized only by medieval and parish archives.

External links