First written entry 1268 (≈ 1268)
Cited in *Recognitiones feodorum in Aquitania*.
début XIIIe siècle
Initial construction
Initial construction début XIIIe siècle (≈ 1304)
Nef and transept edified, apse Romanesque.
XIVe siècle
Modification of the bell tower
Modification of the bell tower XIVe siècle (≈ 1450)
Gothic style adopted for the facade.
1846
MH classification
MH classification 1846 (≈ 1846)
First list of historical monuments.
1844, 1850–1852
Major restorations
Major restorations 1844, 1850–1852 (≈ 1848)
Works by Durand and Courau.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: ranking by list of 1846
Key figures
Duc d'Aquitaine (roi d'Angleterre) - Feudal Lord
Author of *Recognitiones feodorum* (1268).
Durand - Architect-restaurant
Intervention in 1844 on the building.
Courau - Architect-restaurant
Works in 1850 and 1852.
Origin and history
The Saint-Saturnin church of Moulis-en-Médoc, located in Gironde (New Aquitaine), is a Romanesque monument from the 12th to the 14th centuries. It rises on a paleo-Christian site and was first cited in 1268 in the Recognitiones feodorum in Aquitania, administrative texts of the Duke of Aquitaine, then king of England. Ranked in 1846, it embodies a medieval architectural heritage marked by oriental influences in its capitals.
Originally, the church included a single nave and a transept surmounted by a tower, with an apse and two apsidioles. The lower sides, added in the 13th century, were vaulted in 1862, while the bell tower, modified in Gothic times, lost its southern apsidiole to a propeller staircase. Major restorations took place in 1844 (by Durand) and in 1850–52 (by Courau), preserving his adorned bedside, witness to the stylistic evolutions between Roman and Gothic.
The monument also reflects the 19th-century changes, such as the false vaults of the lower side or the 14th-century western façade. Its early ranking (1846) underscores its heritage importance, linked to its Aquitaine feudal history and its religious role in the Médoc. The interior sculptures, with Oriental accents, and medieval archives make it a key site for understanding regional Romanesque art.
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