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Saint Thibery Church of Saint Thibery à Saint-Thibéry dans l'Hérault

Patrimoine classé
Patrimoine religieux
Eglise gothique
Hérault

Saint Thibery Church of Saint Thibery

    10 Grand Rue
    34630 Saint-Thibéry
Église Saint-Thibéry de Saint-Thibéry
Église Saint-Thibéry de Saint-Thibéry
Crédit photo : Fagairolles 34 - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1900
2000
1457
Construction begins
1499-1521
Construction of the bell tower
1535
Church Consecration
14 avril 1923
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Church: by decree of 14 April 1923; Round: by order of 14 April 1923

Key figures

Antoine de Rosène - Abbot sponsor Initiator of the works in 1457

Origin and history

The church of Saint Thibery, an ancient abbey located in the eponymous village, was built between the second half of the 15th century and the first half of the 16th century. The works began in 1457 under the impulse of Abbé Antoine de Rosène, but the nave was never built, leaving a spacious choir with a polygonal apse and a transept vaulted with intersected ribstones. A 14th century crypt, called a glaise, remains as a witness to the first foundations, while baluster bays in the choir once communicated with the missing abbatial buildings.

The bell tower, isolated west of the church, was erected between 1499 and 1521 as an independent tower. Its portal, now reduced to a primer, is next to an adorned Renaissance pilastre, topped by a statue. Inside, 18th-century woodwork, including stalls, dress the choir. A large room, located above the transept, recalls the old abbey. The ensemble, classified as a Historical Monument in 1923, illustrates the transition between late Gothic and Renaissance, marked by architectural details such as the foliage lamp asses.

The atypical arrangement of the church, with a detached bell tower and an absent nave, may reflect financial constraints or symbolic choices related to the abbey. The preserved elements (crypt, berries, woodwork) testify to the successive transformations of the site, from its medieval religious role to its modern preservation. The tower, with its Renaissance decoration, highlights the influence of new artistic currents at the beginning of the sixteenth century.

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