Chapel of Saint Barbe Vers 1530 (≈ 1530)
Add Renaissance style with stained glass.
2e moitié du XVe siècle
Initial construction
Initial construction 2e moitié du XVe siècle (≈ 1550)
Warhead vaulted building, straight bedside.
XVIIe siècle
Table and altar
Table and altar XVIIe siècle (≈ 1750)
Interior enrichment baroque.
25 avril 2003
Historical Monument
Historical Monument 25 avril 2003 (≈ 2003)
Total protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (cad. A 364): by order of 25 April 2003
Key figures
Information non disponible - No character cited
Sources do not mention any historical actors.
Origin and history
The Saint-Ulface church of Saint-Ulface, classified as a Historic Monument, was built in the second half of the 15th century. Its architecture is distinguished by dogive vaults and a straight bedside, characteristic of late Gothic. This first building reflects the constructive techniques of the era, marked by the transition between the Middle Ages and the Renaissance.
Around 1530, a chapel dedicated to Saint Barbe was added, illustrating the influence of the Renaissance in the region. The stained glass windows of this period, still visible, bear witness to the glass art of the time. The altarpiece and high altar, dated from the seventeenth century, were later installed, enriching the church's interior heritage.
The building, completely classified by decree of 25 April 2003, now belongs to the municipality of Saint-Ulphace. Its location, specified as satisfactory (note 7/10), makes it a point of interest for the Sarthian heritage. Sources also mention elements such as the Creative Commons photo license, highlighting its openness to the public and its cultural enhancement.
In the local historical context, parish churches like Saint-Ulphace played a central role in community life, serving as places of worship, gathering and identity marker. The period of the 15th to 16th centuries corresponds, in Sarthe, to a period of post-war reconstruction of the Hundred Years and the expansion of cultural exchanges, especially under the influence of Renaissance artistic currents from the Loire.
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