Construction of the Romanesque choir XIe siècle (≈ 1150)
Vault in cul-de-four with geometric capital.
XVIe siècle
Adding the southern portal
Adding the southern portal XVIe siècle (≈ 1650)
Decorate Renaissance and wear in handle.
1800-1899
Restoration of transept and nave
Restoration of transept and nave 1800-1899 (≈ 1850)
Original Gothic style changes.
28 septembre 1970
Registration of the southern portal
Registration of the southern portal 28 septembre 1970 (≈ 1970)
Protection under Historic Monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
South portal (ca. A 303): entry by order of 28 September 1970
Key figures
Information non disponible - No character cited
Sources do not mention any historical actors.
Origin and history
Saint Vincent Church, listed as a Historic Monument, is distinguished by its 11th century Romanesque choir, vaulted in cul-de-four and decorated with two committed columns. The latter, surmounted by a capital with geometric motifs, support the triumphal arch. The arms of the transept, of Gothic style, as well as the nave, underwent important restorations in the 19th century, partially changing their original appearance.
The 16th-century southern gate is framed by a Renaissance decor and protected by an appentis porch. This porch rests on a pillar decorated with a coat of arms, housing a door in a basket handle. Only this portal has been officially protected by an inscription under the Historic Monuments since September 28, 1970, attesting to its heritage value.
The location of the building, at 1 Place Saint Vincent in Igon (Pyrénées-Atlantiques), is documented in the Merimée base. Although geographical accuracy is considered satisfactory a priori (note 6/10), the church remains a major historical landmark for the municipality, a municipal property and potentially open to visit.
Available sources, including Monumentum, highlight the hybridization of architectural styles (Roman, Gothic, Renaissance) and subsequent interventions. These elements reflect the artistic evolution and liturgical needs of the region, from the Middle Ages to the modern era.
The local context, marked by an ancient human occupation in the Pyrénées-Atlantiques, suggests that the church played a central role in community life. In medieval times, religious buildings served as places of worship, assembly, and sometimes refuge, while symbolizing the spiritual and temporal power of the Church.
The restorations of the 19th century, frequent in France for ancient monuments, were often aimed at reinterpreting the original style according to the canons of the era. These interventions, although critical today, allowed the building to be partially preserved, while altering some authentic aspects, such as the arms of the transept or the nave.
Announcements
Please log in to post a review