Building construction XVe-XVIe siècles (≈ 1650)
Flamboyant Gothic period, nave and choir
1676
Orgue of Busnel
Orgue of Busnel 1676 (≈ 1676)
Initial installation of the organ
1789-1799
Destruction of the arrow
Destruction of the arrow 1789-1799 (≈ 1794)
Killed during the Revolution
XIXe siècle
Restoration of the organ
Restoration of the organ XIXe siècle (≈ 1865)
Work by Mr Roger
vers 1870
Addition of chapels
Addition of chapels vers 1870 (≈ 1870)
Between the southern foothills
4 décembre 1945
Registration Historic Monument
Registration Historic Monument 4 décembre 1945 (≈ 1945)
Official Church Protection
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Saint Vincent Church: registration by decree of 4 December 1945
Key figures
Busnel - Organ factor
Creator of the organ in 1676
M. Roger - Organ restorer
Remade the organ in the 19th century
Origin and history
Saint Vincent de Nay Church, listed as a Historic Monument, illustrates the flamboyant Gothic style of the 15th and 16th centuries. Its three spans of nave, vaulted on crossed warheads with doubles and formets, result in a half-trave in cradle supporting the bell tower. The arch keys, decorated with angels, evangelical symbols and saints, highlight the iconographic richness of the building. The choir, vaulted with liernes and thirdons, completes this remarkable architectural ensemble.
The bell tower, a square structure with corner foothills, turns into an octagonal plane at the top, with square piles supporting a corbelled gallery. A projection staircase, housed in a turret, allows access to it. The original arrow, destroyed during the Revolution, was replaced by a bell in the 19th century. Around 1870 chapels were added between the southern foothills. The organ, by Busnel (1676) and reworked by Roger in the 19th century, bears witness to the church's musical heritage.
The building, registered by order of 4 December 1945, belongs to the commune of Nay. Its architecture reflects both the technical innovations of the time and the regional artistic influences. The accuracy of its location is estimated at 6/10, based on available data. Subsequent modifications, such as chapels or bell tower, reveal a continuous adaptation to liturgical and aesthetic needs.
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