Crédit photo : Daniel VILLAFRUELA. - Sous licence Creative Commons
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Timeline
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1682
Construction of church
Construction of church 1682 (≈ 1682)
Replaces a medieval, unique nave building.
1830
New bell tower wall
New bell tower wall 1830 (≈ 1830)
Neoclassical curve fronton added.
1847
Cultivated gypseries
Cultivated gypseries 1847 (≈ 1847)
Caissons decorated with roses.
16 mars 2005
Historical Monument
Historical Monument 16 mars 2005 (≈ 2005)
Full protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Cd. AW 213): inscription by decree of 16 March 2005
Key figures
Information non disponible - No character cited
Sources do not mention any actors.
Origin and history
The church of Sainte-Anastasie in Russan, located in the village of Sainte-Anastasie in Occitanie, was built in 1682 to replace a medieval building. This modest rural building is distinguished by its unique nave flanked by two chapels forming transept, all covered with a cradle vault supported by a double. Its sober architecture reflects the limited means of rural parishes of the time, while integrating structural elements typical of post-Tridentine churches, such as the clarity of liturgical space.
In 1830, the original bell tower-wall was replaced by a curved pediment structure, marking an evolution towards the neo-classical style then in vogue. Inside, the present decor combines the remains of the late 18th century (undescribed) with major additions of the 19th century, such as the gypseries of the cul-de-four (1847), decorated with roses, or the woodwork of the choir. These elements, as well as medieval paintings, illustrate the eclectic taste of the period, between heritage and modernity.
Classified as a Historical Monument by decree of 16 March 2005, the church belongs to the municipality of Sainte-Anastasie. Its intact state of conservation and decor make it a rare witness to the small rural churches of the Gard, where late Baroque and neo-classical influences cross. Approximate localization (map precision noted 5/10) and the absence of detailed sources on its past use, however, limit the knowledge of its precise social role beyond its religious function.
The building is part of a regional context marked by a rural economy dominated by agriculture (wine, olive trees) and livestock in the 17th to 19th centuries. Parish churches, such as Sainte-Anastasie, served as places of worship but also as community gatherings, sometimes hosting local decisions or seasonal holidays. Their decoration, often financed by donations or brotherhoods, reflected the means and aspirations of the inhabitants, between traditional piety and openness to national artistic currents.
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