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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
…
1600
1700
1800
1900
2000
1175
First reconstruction
First reconstruction 1175 (≈ 1175)
Building rebuilt for the first time.
29 août 1613
Order of reconstruction
Order of reconstruction 29 août 1613 (≈ 1613)
Decision of Bishop of Laurens.
1628
Consecration
Consecration 1628 (≈ 1628)
As Sainte-Anne.
1805
Back to town
Back to town 1805 (≈ 1805)
By imperial decree.
1826
Installation of the lapidary museum
Installation of the lapidary museum 1826 (≈ 1826)
Pagan art exhibited until 1996.
1875
Historical monument classification
Historical monument classification 1875 (≈ 1875)
Among the first in France.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Église Sainte-Anne (ancient) or Saint-Jean : classification by list of 1875
Key figures
Gaspard du Laurens - Archbishop of Arles
Sponsor of reconstruction in 1613.
Louis XIII - King of France
Gift of 15,000 pounds in 1622.
Origin and history
The Sainte-Anne church, originally called Notre-Dame-la-Principale, was the first Catholic parish in the city centre of Arles. Already rebuilt in 1175, it threatened to ruin in the early seventeenth century. In 1613 Bishop Gaspard of Laurens, Archbishop of Arles, ordered his reconstruction. Although consecrated in 1628 under the name of Sainte-Anne, the work ended around 1630. It housed relics of the saint in a bust of vermeil and was entrusted to the Oratorians until the Revolution.
Disused after 1789 for the benefit of Saint-Trophime, it was returned to the commune by imperial decree in 1805. A lay museum of pagan art was established there in 1826, transferred in 1996 to the Departmental Museum of Ancient Art. Classified as a historic monument since 1875, it now serves as a temporary exhibition venue. Its sober façade, decorated with coats of arms hammered at the Revolution, dominates the Place de la République, facing Saint-Trophime.
In the ogival style, the church consists of a nave with five spans bordered by raised side chapels, and a narrow choir oriented to the west, surmounted by a pentagonal apse. The key to the vault bears the arms of Bishop du Laurens. The original furniture has disappeared, but a side door, accessible by the Balze impasse, overlooks the north abside. The building illustrates post-Tridentine religious architecture, mixing classical sobriety and Gothic heritage.
Its history reflects the political and cultural upheavals of Arles: a major place of worship under the Old Regime, it became a secular symbol after the Revolution, before turning into a cultural space. Its early ranking (1875) underlines its heritage importance, linked to its role in the religious and civic life of the city, from the aristocratic families of the seventeenth century to contemporary visitors.
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Future
It has been used as a temporary exhibition site since then.
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