Crédit photo : François de Dijon - Sous licence Creative Commons
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Timeline
XIXe siècle
Époque contemporaine
2000
1956
Request for construction
Request for construction 1956 (≈ 1956)
Project launched by the parish priest and bishop.
1960-1964
Construction of church
Construction of church 1960-1964 (≈ 1962)
Directed by Joseph Belmont.
10 mai 1964
Church Consecration
Church Consecration 10 mai 1964 (≈ 1964)
By Bishop André Charles de la Brousse.
25 février 2011
Historical monument classification
Historical monument classification 25 février 2011 (≈ 2011)
Total protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The church, with the floors of its building plot BD 43: ranking by decree of 25 February 2011
Key figures
Chanoine Paul Vinceneux - Founding priest
Project initiator in 1956.
André Charles de la Brousse - Bishop of Dijon
Sponsor and consecrator in 1964.
Joseph Belmont - Architect
Church designer between 1960 and 1964.
Origin and history
The church of Sainte-Bernadette in Dijon, classified as a historical monument since 2011, is an emblematic 20th century religious building, located in the Grésilles district. Designed by architect Joseph Belmont between 1960 and 1964, it is distinguished by its modern architecture, combining concrete, steel and glass, inspired by contemporary techniques of the time. The church is organized on two levels: a higher nave and a lower crypt, with an isolated bell tower shaped like a campanile.
The construction of the church was initiated in 1956 at the request of Chanoine Paul Vinceneux, the founding priest of the parish, and the bishop of Dijon, André Charles de la Brousse. It was consecrated on May 10, 1964. The building anticipates the liturgical reforms of the Second Vatican Council, with an innovative structure for the period, including concrete veils and curved roofs. It has been a 20th century Heritage label and has been fully protected since 2011.
The architect Joseph Belmont was inspired by the church of Mazamet, which he had previously built, applying avant-garde techniques such as curtain walls. The monument reflects a period of architectural and liturgical renewal in the Catholic Church, while meeting the needs of an expanding neighbourhood such as the Gresillas. Its bell tower, distinct from the main structure, and its arrow make it a visual landmark in the Dijon landscape.
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