Initial construction XIIe siècle (≈ 1250)
Edification of the nave and transept.
Fin XVe - Début XVIe siècle
Lordial Chapel
Lordial Chapel Fin XVe - Début XVIe siècle (≈ 1625)
Construction by Rigaud d'Aurelle.
1789
Presence of the collegial chapter
Presence of the collegial chapter 1789 (≈ 1789)
Chanoines under the authority of the bishop.
21 février 1969
Historical Monument
Historical Monument 21 février 1969 (≈ 1969)
Official church registration.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (cad. AB 72): registration by decree of 21 February 1969
Key figures
Rigaud d'Aurelle - Local Lord
Commander of the seigneurial chapel.
Abbé d'Issoire - Ecclesiastical Authority
Named the cure before 1789.
Évêque de Clermont - Collator of prebends
Controlling the revenues of the canons.
Origin and history
The Sainte-Couronne church, located in Mareugheol in Puy-de-Dôme, is a monument built between the 12th, 15th and 16th centuries. It is distinguished by an oriented plane, combining a primitive nave, a later added northern collateral, a southern chapel, as well as a transept and a choir. The crossover of the transept is remarkable for its irregular octagonal dome, with rounded corners, illustrating sophisticated medieval architectural techniques. Originally, the cure depended on the Abbé d'Issoire, while a collegial chapter, composed of canons whose prebends belonged to the bishop of Clermont, was active there in 1789.
In the 16th century, this chapter had a strong house within the local fortress, used to house its archives safely. One of the features of the building is the former seigneurial chapel, erected in the late 15th or early 16th century by Rigaud d'Aurelle. This chapel bears witness to the close links between the church and the local lords, while reflecting the architectural evolutions of the Renaissance. The ensemble, classified as Historical Monument in 1969, thus embodies almost five centuries of religious and social history in Auvergne.
The spatial organization of the church, with its marked transept and choir, suggests a major liturgical and community importance. Prior to the Revolution, the appointment of the parish priest by Abbé d'Issoire and the collation of the prebends by the bishop of Clermont emphasized his anchoring in the regional ecclesiastical structures. These elements, coupled with the presence of a seigneurial chapel, reveal a church at once a place of worship, symbol of power, and a centre of documentary preservation for the collegial chapter.
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