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Church of St. Croix de Molesme en Côte-d'or

Patrimoine classé
Patrimoine religieux
Eglise de style classique
Côte-dor

Church of St. Croix de Molesme

    L'Église
    21330 Molesme
Église Sainte-Croix de Molesme
Église Sainte-Croix de Molesme
Église Sainte-Croix de Molesme
Église Sainte-Croix de Molesme
Église Sainte-Croix de Molesme
Église Sainte-Croix de Molesme
Église Sainte-Croix de Molesme
Église Sainte-Croix de Molesme
Crédit photo : Velvet - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1800
1900
2000
XIIe-XIIIe siècles
Initial construction
XIIIe siècle
Choir and transept
1828
Reconstruction of the bell tower
18 août 1987
MH classification
Aujourd'hui
Aujourd'hui

Heritage classified

Saint Croix parish church (cad. AB 115): inscription by decree of 18 August 1987

Key figures

Robert de Molesme - Cistercian Founder Linked to the abbey and order.
Marie-Amélie - Queen of France Donor of a "Pietà".
Bertrand Vivin - Glass artist Author of contemporary stained glass windows.
Pierre-Alain Parot - Master glass Director of stained glass (aiserey workshops).
Devaux - Dijon architect Rebuilder of the bell tower (1828).

Origin and history

The church Sainte-Croix de Molesme, located in the Côte-d'Or department in Burgundy-Franche-Comté, was built in the 12th and 13th centuries as the church of the conversants, on the edge of the fence of the Abbey of Notre-Dame de Molesme. After the fire of the original abbey, she took up her role, becoming the spiritual heart of the monastery. Its architecture combines Romanesque and Gothic elements, with five double spans, sideways, and a choir illuminated by stained glass windows, some of which are contemporary by Bertrand Vivin.

The façade, with a bell tower, was rebuilt in the 19th century during the Restoration. Inside, a rich statuary illustrates the Burgondo-champenois art, with works such as a Pietà offered by Queen Marie-Amélie or a 16th century Education of the Virgin. Modern stained glass windows celebrate the founders of the Cistercian order of Molesme: Robert de Molesme, Alberic, Étienne Harding and Bruno de Cologne. The organ and the reliquaries, including the hunting of St.Robert, testify to his major religious role.

Listed as a historical monument inventory in 1987, the church also maintains funeral slabs, liturgical pools and procession banners. Its furniture reflects both its medieval past and its evolution in the 18th and 19th centuries, with paintings such as the Adoration of the Shepherds or the Deplore on the Dead Christ. The choir and transept, built in the 13th century, contrast with the nave completed later in the 14th century.

The current bell tower, erected around 1828 by architect Devaux de Dijon, replaces an older structure. The contemporary stained glass windows, made by Pierre-Alain Parot, are integrated into a building where styles and epochs are mixed. Owned by the commune, the church remains a place of memory for the Cistercian order, born there before swarming in Europe.

Its inscription as a historic monument highlights its heritage value, both for its architecture and for its furniture. Available sources (Wikipedia, Monumentum) confirm its importance in Burgundy religious history, between medieval heritage and modern restorations. Rue Saint-Robert, where it stands, recalls its link with Robert de Molesme, the central figure of its foundation.

External links