Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Church of St. Croix à Saint-Urcisse dans le Lot-et-Garonne

Church of St. Croix

    200 Rue du Lavoir
    47270 Saint-Urcisse
Ownership of the municipality
Eglise Sainte-Croix
Eglise Sainte-Croix
Crédit photo : WCOMFR - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1600
1700
1800
1900
2000
XIIe siècle
Original construction
Fin XVe - Début XVIe siècle
Major transformations
XIXe siècle
Adding stained glass
11 juin 2015
Total protection
Aujourd'hui
Aujourd'hui

Heritage classified

The Church of St. Croix in its entirety (Box B 59): inscription by order of 11 June 2015

Key figures

Information non disponible - No character cited Missing sources

Origin and history

The Sainte-Croix church of Saint-Urcisse, classified as a Historical Monument, finds its origins in the 12th century with Romanesque architecture. The building was profoundly transformed in the late 15th century or early 16th century, with enlargements and structural changes. Inside, the glazed nave leads to a vaulted polygonal choir, adorned with carved caps and a key to the vault representing a blessed Christ. Two bas-reliefs, symbolizing the lion of Mark and the bull of Luke, as well as friezes of dragons and a dog (late 15th) decorate the triumphal arch in broken arch.

The current stained glass windows date back to the 19th century, adding a neo-Gothic touch to the whole. Recent surveys have revealed traces of ancient murals, testifying to past decorative richness. The church, fully protected since 2015, belongs to the commune and preserves Romanesque elements (nave, choir) mixed with flamboyant Gothic additions, illustrating its architectural evolution over nearly five centuries.

The triumphal arch, an important element of the transition between the Romanesque and Gothic periods, is particularly remarkable. Its carved decorations (dragons, dog) could evoke protective symbols or biblical references, typical of medieval religious art. The eight-district vault of the choir, with its worked caps, emphasizes the influence of the regional workshops of the Renaissance, while the New Aquitaine becomes an artistic crossroads between North and South.

External links