Tomb stone of Guillaume de Conches XIIe siècle (≈ 1250)
Medieval testimony preserved in situ.
milieu XVIe siècle
Creation of stained glass windows
Creation of stained glass windows milieu XVIe siècle (≈ 1650)
Directed by Romain Buron and workshop.
fin XVe - XVIe siècle
Flamboyant Gothic reconstruction
Flamboyant Gothic reconstruction fin XVe - XVIe siècle (≈ 1695)
Choir and nave rebuilt, stained glass installed.
1840
Historical monument classification
Historical monument classification 1840 (≈ 1840)
First ranking by official list.
1842
The arrow collapsed
The arrow collapsed 1842 (≈ 1842)
Destruction in a storm.
fin 1999
Damage from the storm
Damage from the storm fin 1999 (≈ 1999)
Damaged roof, repairs undertaken.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Sainte-Foy Church: ranking by list of 1840
Key figures
Romain Buron - Master glassmaker
Author of stained glass (XVI century).
Engrand Leprince - Master glassmaker and mentor
Romain Buron's trainer.
Guillaume de Conches - Historical figure
12th century tombstone.
Origin and history
The Sainte-Foy church of Conches-en-Ouche, located in the department of Eure in Normandy, is a Catholic religious building whose construction extends mainly to the thirteenth, fourteenth and sixteenth centuries. Ranked a historic monument in 1840, it illustrates the flamboyant Gothic architecture, including its seven-part choir and vaults adorned with liernes and thirdons, characteristic of the late 15th and 16th centuries. The southern tower, with a 56-metre-long arrow, is an identical reconstruction after its collapse in 1842.
The choir and the entire building were completely rebuilt in the 16th century in a flamboyant Gothic style, marking a period of artistic and architectural renewal. The stained glass windows, made in the mid-16th century, are among the most beautiful examples of Norman glass art of the Renaissance. Romain Buron, pupil of master glassmaker Engrand Leprince, is one of the main craftsmen. These windows, as well as the tombstone of Guillaume de Conches (XII century), testify to the historical and artistic richness of the monument.
The church suffered significant damage during the storm of 1999, requiring major repairs, including on its roof. Despite these hazards, it remains a major testimony of Norman religious and architectural heritage, mixing medieval heritage and renaissant influences. Its early ranking in 1840 underscores its historical importance and exceptional artistic value.
The stained glass windows of Sainte-Foy, often cited as a remarkable ensemble of the Norman Renaissance, attract attention for their technical and aesthetic quality. They are part of a local glass tradition, as evidenced by Virginie Michelland's article on glassmaking know-how in Conches. The building, owned by the commune, continues to play a central role in the cultural and religious life of Conches-en-Ouche.
The precise location of the church at 5 Rue Sainte-Foy and its Insee code (27165) confirm its anchoring in the territory of the Eure. Its history, marked by reconstructions and restorations, reflects both the vicissitudes of time and the desire to preserve an exceptional heritage. The bell tower arrow, a faithful copy of the original, symbolizes this resilience and concern for transmission.
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