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Église Sainte-Marie-Madeleine d'Équennes à Équennes-Éramecourt dans la Somme

Patrimoine classé
Patrimoine religieux
Eglise néo-gothique
Somme

Église Sainte-Marie-Madeleine d'Équennes

    Rue de l'Eglise
    80290 Equennes-Eramecourt
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Église Sainte-Marie-Madeleine dÉquennes
Crédit photo : Claude villetaneuse - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
XIIIe siècle
Baptist Fonts
XVIe siècle
Old window
1895-1896
Reconstruction of the church
2 novembre 1998
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church, including soils (Cd. AC 123): registration by decree of 2 November 1998

Key figures

Alphonse-Augustin Richardière - Architect Designed the church plans in 1895-1896.
Daragon - Amienese sculptor Author of the sculptures of the facade.
Léon Avenet - Master glassmaker Creator of interior stained glass windows.

Origin and history

The church Sainte-Marie-Madeleine d'Équennes-Éramecourt, located in the Somme department in the Hauts-de-France region, was rebuilt between 1895 and 1896 according to the plans of the Parisian architect Alphonse-Augustin Richardière. This neo-Gothic monument, marked by a neo-flooding porch, replaces an earlier building whose exact history remains unknown. The use of bricks, combined with cutting stone strips and fillings, gives the building a distinctive late 19th-century aesthetic.

The interior of the church houses a remarkable heritage, including 13th-century baptismal fonts, a 16th-century glass window depicting St Stephen, as well as painted vaults and stained glass windows signed by master glassmaker Léon Avenet. The facade, decorated with sculptures made by the Amienese sculptor Daragon, bears witness to a local artisanal know-how. These elements, combined with the traditional basilical structure (single nave, prominent transept and three-sided bedside), make this place a significant example of the religious architectural renewal of the period.

Classified as historical monuments by decree of 2 November 1998, the church illustrates the importance attached to the preservation of cultural and religious heritage in Picardia. Its location in a rural village near Amiens highlights its central role in the community and spiritual life of the region since its reconstruction. The building, owned by the municipality, remains a tangible testimony to the stylistic and technical developments of the late 19th century, while maintaining traces of earlier periods.

Available sources, including Wikipedia and Monumentum, confirm the heritage value of the building, both for its architecture and its furniture. References to specialized databases, such as Mérimée, or to religious heritage observatories, reinforce its historical and tourist interest. The Church of Sainte-Marie-Madeleine thus embodies a synthesis between local tradition and national influences, typical of the ecclesiastical reconstructions of this period.

External links