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Église Sainte-Marie-Madeleine de Laferté-sur-Aube en Haute-Marne

Patrimoine classé
Patrimoine religieux
Eglise
Haute-Marne

Église Sainte-Marie-Madeleine de Laferté-sur-Aube

    32-36 Rue Pierre Champagne
    52120 Laferté-sur-Aube

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
2e moitié du XVIIIe siècle
Construction begins
2e quart du XIXe siècle
Second phase of construction
19 novembre 1990
Registration as Historic Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Église Sainte-Marie-Madeleine (cad. C 774) : inscription by order of 19 November 1990

Key figures

François-Nicolas LANCRET - Architect Designer of Sainte-Marie-Madeleine church.
CLACHELEUX - Owner Responsible for carrying out the work.

Origin and history

The church of Sainte-Marie-Madeleine de Laferté-sur-Aube is a religious building built in two major phases: the second half of the 18th century and the second quarter of the 19th century. Located in the commune of Laferté-sur-Aube, it is representative of the religious architecture of this period in the region of Grand Est, specifically in the department of Haute-Marne. Its registration as a Historic Monument by order of 19 November 1990 bears witness to its heritage importance and preservation for future generations.

The location of the church at 9007 Rue Pierre Champagne is estimated with a priori satisfactory accuracy (level 6 of 10). This monument, owned by the commune, was designed under the direction of two key figures: the architect François-Nicolas LANCRET and the architect CLACHELEUX. Their collaboration helped shape a place of worship that is part of the architectural and cultural landscape of Champagne-Ardenne, now integrated into the Grand Est region.

The church of Sainte-Marie-Madeleine, like many religious buildings of that time, played a central role in community life. It served not only as a place of prayer and spiritual gathering, but also as a framework for social and civic events. In a region with a rural and artisanal economy, these churches were often symbols of cohesion and local identity, reflecting the values and traditions of the surrounding populations.

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