Initial Romanesque construction Moyen Âge (jusqu'au XIIIe siècle) (≈ 1125)
Extended edification until the 13th century.
À partir de 1600
Recovery of elevations
Recovery of elevations À partir de 1600 (≈ 1600)
Post-fire work on structure.
XVIe siècle (guerres de religion)
Fire of the building
Fire of the building XVIe siècle (guerres de religion) (≈ 1650)
Damage requiring further reconstruction.
2017
Historical Monument
Historical Monument 2017 (≈ 2017)
Total protection of the church and its grounds.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
In total, the parish church Saints-Gervais-et-Protais, including its plate ground (Box AB 426), as delimited on the plan attached to the decree: inscription by decree of 21 March 2017
Key figures
Pierre dit Tristan Guilhem II - Grand Sénéchal de France
Funeral chapel with flamboyant decor.
Jacques Pauthe (1809-1889) - Decorative painter
Author of the frescoes of the vault.
Origin and history
The parish church Saints-Gervais-et-Protais rises in the heart of the medieval village of Saint-Gervais-sur-Mare, near the former seigneurial castle. Its Romanesque construction, begun in the Middle Ages, continued until the thirteenth century. The building now retains medieval walls under the coatings, despite a fire that occurred during religious wars. The elevations were rebuilt from 1600, combining a single nave with three vaulted spans of a broken arched cradle and a flat bedside choir, vaulted in a full-cindered cradle.
The funeral chapel of Peter, known as Tristan Guilhem II, the great senechal of France, is distinguished by its flamboyant decor, exceptional in the department. The murals of the vault, made by Jacques Pauthe (1809-1889), also adorn other regional religious buildings such as the Cathedral of Perpignan or the Collège de Lautrec. This painter marked the 19th century by his work on sacred decorations, contributing to the heritage richness of the church.
Classified as a historic monument since 2017, the church belongs to the commune. Its architecture thus combines Romanesque heritage, post-war religious transformations and 19th century beautifications, illustrating nearly a thousand years of local history. The accuracy of its location is considered satisfactory, and its current state reflects successive restorations while preserving original medieval elements.
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