Construction of the choir 1417 (≈ 1417)
Edited by Burkard de Lützelstein, frescoes made.
vers 1560
Introduction of the Reform
Introduction of the Reform vers 1560 (≈ 1560)
Transition to Protestant worship.
1624
Door dated
Door dated 1624 (≈ 1624)
Former entrance today hidden.
1739
Become a simultaneous church
Become a simultaneous church 1739 (≈ 1739)
Catholic-official protestant sharing.
1849
Current turnover
Current turnover 1849 (≈ 1849)
Represented on a lithography.
1885
Restoration nave and tower
Restoration nave and tower 1885 (≈ 1885)
Major conservation work.
21 avril 1934
Registration MH
Registration MH 21 avril 1934 (≈ 1934)
Funeral monuments protected.
5 mai 1969
MH classification
MH classification 5 mai 1969 (≈ 1969)
Choir and classified paintings.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Funeral monuments of Count Burckhard and his wife embedded in the western wall of the nave: inscription by decree of 21 April 1934; Chorus, including the wall paintings it contains (see Box D 302/297): classification by order of 5 May 1969
Key figures
Burkard de Lützelstein - Count and sponsor
Founded the choir in 1417.
Origin and history
The simultaneous church of Notre-Dame de La Petite-Pierre, located in the Lower Rhine in the Grand East region, is a religious building with multiple influences, built mainly in the 1st quarter of the 15th century. His polygonal choir, vaulted with warheads and decorated with 15th-century frescoes depicting Christian scenes such as the Coronation of the Virgin or the Last Judgment, was erected in 1417 under the impulse of Count Burkard of Lützelstein, as evidenced by an inscription engraved on the axial window. This raised choir also houses funerary slabs from the 17th and 18th centuries, as well as murals partially restored in the 19th century. The building, originally Catholic, became Protestant around 1560 before being divided between the two cults from 1739, a status which it still retains today as a simultaneous church.
The nave, probably built at the end of the 17th or early 18th century, is extended by a peg tower whose present appearance would date back to the first half of the 19th century, as evidenced by a lithography of 1849. A door dated 1624, now hidden, recalls the successive transformations of the building. In 1885, the nave and tower were restored, while the campanile, originally placed on the nave in the eighteenth century, was replaced by the current bell tower. The church was inscribed in the Historic Monuments in 1934 (for its funerary monuments) and then classified in 1969 (for its choir and paintings), highlighting its exceptional heritage value, both artistic, historical and symbolic for the local community.
The protected elements include the funeral monuments of Count Burckhard and his wife (17th century), embedded in the western wall of the nave, as well as the entire choir with its 15th century frescoes. The latter, rediscovered and preserved, offer a rare example of medieval monumental painting in Alsace. The triumphal arch, separating the choir from the nave, and the sacristy arranged in the tower-pig complete this hybrid architectural ensemble, reflecting the cultural and political evolutions of the region, from the Middle Ages to the modern era.
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