Construction of bell tower and nave XIIIe siècle (≈ 1350)
Gothic origin of the original building.
1566
South Renaissance Portal
South Renaissance Portal 1566 (≈ 1566)
Sculpture of the "Descent of the Cross".
1576
Northern Renaissance Portal
Northern Renaissance Portal 1576 (≈ 1576)
Late decorative addition.
1914-1918
Partial destruction
Partial destruction 1914-1918 (≈ 1916)
During World War I.
5 août 1919
Historical monument classification
Historical monument classification 5 août 1919 (≈ 1919)
Official State protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: by decree of 5 August 1919
Key figures
Jean Veyren - Iron and steel craftsman
Author of the ironworks of the church.
Abbé Paul Decagny - Local historian
Documented the story of Cerisy (1865).
Joseph d'Arimathie - Sculpted biblical figure
Represented on the southern gate (1566).
Origin and history
The church of Saint-Georges de Cerisy, located in the Somme department in the Hauts-de-France region, is a building built between the thirteenth century (clocher and nave) and the sixteenth century (renaissance doors). Its bell tower, typical of the Gothic, contrasts with the north (1576) and south (1566), the latter adorned with a carved Cross Descent. The church was partially destroyed during the First World War, then restored in the interwar period, with official protection as early as 1919.
Inside, the church houses remarkable remains, including a 13th-century baptismal tank discovered in the ruins after 1918, decorated with human heads and friezes. Among the classified works are a bas-relief of the Descent of the Cross (XVIth century), a statue of St.Georges in golden wood (17th century), and three 18th century carved panels (Visitation, Annunciation, Christ to Olives). The murals (17th century) and the ironworks of Jean Veyren complete this heritage.
The bell tower, with a carillon playing religious and popular airs (Ave Maria, Au clair de la lune), illustrates the sacred and secular duality of the building. The post-Great War restoration preserved medieval and reborn elements, while integrating 18th-century additions, such as the bell tower gate. The church, a communal property, remains a witness to the reconstructions after 1918 and the picardic Christian art.
Ranked a historic monument by decree of 5 August 1919, the church of St George also embodies the memory of conflicts: its partial destruction during the First World War made it a symbol of resilience. The protected movable objects (baptism, statues, bas-reliefs) underline its role both spiritual and artistic, while its hybrid architecture reflects stylistic evolutions between the Middle Ages and the modern era.
The available sources, including the works of Father Paul Decagny (1865) and the Mérimée and Clochers bases of France, document his history and his precise location (3 Church Square, Cerisy). Its Insee code (80184) and its attachment to the ancient Diocese of Amiens make it a marker of the Sommese religious heritage, now open to visit in the communal setting.
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