Construction of the nave and choir début XVIe siècle (≈ 1604)
Start of work in chalk and sandstone.
fin XVIe siècle
Addition of side chapels
Addition of side chapels fin XVIe siècle (≈ 1695)
Probable extension of the building.
XVIIe siècle
Construction of the gallery
Construction of the gallery XVIIe siècle (≈ 1750)
Two-storey tribune added.
XVIIIe siècle
Adding sacristy
Adding sacristy XVIIIe siècle (≈ 1850)
Sacristy surrounding the bedside.
1894
Recast of the façade
Recast of the façade 1894 (≈ 1894)
Brick facade by architect Antoine.
17 juillet 2000
Registration for historical monuments
Registration for historical monuments 17 juillet 2000 (≈ 2000)
Official church protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box A2,108): Registration by Order of 17 July 2000
Key figures
Antoine - Amienese architect
Reworked the facade in 1894.
Origin and history
The church Saint-Antoine de Montonvillers, located in the Somme department in the Hauts-de-France region, is a typical example of a 16th century rural church. The nave and choir date from the beginning of this period, while the lateral chapels may have been added in the second half of the sixteenth century. Its chalk walls are based on a sandstone base, and its exposed structure, moulded, is original. The facade, rebuilt in brick in 1894 by the Amienese architect Antoine, contrasts with the rest of the medieval structure.
The monument houses a two-storey 17th-century stand and a sacristy surrounding the bedside, built in the 18th century. Outside, a quadrangular tower houses a well, and the bell tower is covered with slate. The church was listed as historic monuments by order of 17 July 2000, thereby recognizing its heritage value. It reflects the architectural and religious evolution of Picardia, between late Gothic heritage and subsequent adaptations.
The location of the church, in the centre of the village of Montonvillers, highlights its historic role as a community and spiritual gathering place. Its inscription in the Mérimée base and its official protection make it a preserved testimony of the rural religious architecture of the sixteenth and seventeenth centuries. The materials used, such as chalk and sandstone, are characteristic of the local resources of the region, while the brick of the facade bears witness to the restorations of the 19th century.
Announcements
Please log in to post a review