Crédit photo : Véronique PAGNIER - Sous licence Creative Commons
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Timeline
XIXe siècle
Époque contemporaine
2000
1960
Acquisition by Foujita
Acquisition by Foujita 1960 (≈ 1960)
Foujita buys and merges two houses.
1965
Creation of the fresco
Creation of the fresco 1965 (≈ 1965)
Wall painting on the west gable wall.
1968
Death of Foujita
Death of Foujita 1968 (≈ 1968)
End of his occupation.
septembre 1994
Historical monument classification
Historical monument classification septembre 1994 (≈ 1994)
Registration including fresco and workshop.
septembre 2000
Open to the public
Open to the public septembre 2000 (≈ 2000)
After restoration by the department.
septembre 2011
Label *Houses of the Illustrators*
Label *Houses of the Illustrators* septembre 2011 (≈ 2011)
National recognition of the place.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Workshop house, including the wall painting of the west gable wall of the workshop (Box E 49): inscription by order of 9 September 1994
Key figures
Tsugouharu Foujita - French-Japanese painter
Owner and creator of the workshop.
Épouse de Foujita - Donor of the place
Give the house to the department.
Origin and history
The house-workshop of Foujita, located 7 roads from Gif to Villiers-le-Bâcle (Essonnes), is an old house transformed into a space of life and creation by the Franco-Japanese painter Tsugouharu Foujita. In 1960, he acquired two adjoining houses in the Chevreuse valley, merged them into one, and lived there until his death in 1968. Foujita completely restores the building, including the cellar in the kitchen and dining room, while the attic becomes its workshop. A religious fresco, dated 1965 and visible on a wall-pignon, testifies to his research on the technique of fresco, preparatory to the creation of the Foujita Chapel.
The site has been listed as historic monuments since September 1994 for its artistic and heritage interest, including the protection of the workshop mural painting. Owned by the Essonne department since 1991 — thanks to a gift from Foujita's wife — the house has been kept in the state and opened to the public since September 2000. She has also enjoyed the Maisons des Illustres label since 2011. Visits are made by appointment on weekdays, or free on weekends, with a formal ban on photographing.
The house-workshop illustrates Foujita's dual cultural identity, mixing Japanese and French influences. Its layout reflects both its intimate way of life and its artistic commitment, notably through the fresco of 1965, the only visible vestige of its technical experiments. The building thus embodies a pivotal period of its career, marked by monumental projects such as the chapel of Reims, while remaining anchored in the rural landscape of l'Essonne.
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