Crédit photo : François de Dijon - Sous licence Creative Commons
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Timeline
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
…
1900
2000
XVe siècle
Construction of building
Construction of building XVe siècle (≈ 1550)
Construction period attested by Monumentum.
17 septembre 1943
Historic Monument Protection
Historic Monument Protection 17 septembre 1943 (≈ 1943)
Registration of the façade and roofs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Façade sur rue et les Roofs : inscription by decree of 17 September 1943
Key figures
Information non disponible - No character identified
Sources insufficient to assign a role.
Origin and history
The building at 4 rue Porte-aux-Lions in Dijon is a 15th century civil building. This building, typical of the Burgundian architecture of the late Middle Ages, is distinguished by its street façade and roofs, protected by a decree of inscription under the title of Historical Monuments since 1943. Its location in the historic centre of Dijon, near the former fortifications, suggests a role in medieval urban life, although its original uses are not specified in the available sources.
The protection of the building in 1943 reflects the heritage interest brought to the remains of the Burgundy era, marked by the Duchy of Burgundy and its cultural influence. Porte-aux-Lions Street, mentioned in the Middle Ages, was probably a major access route in the closed city. Today, the building illustrates the civil architectural heritage ofijon, complementary to religious or military monuments more often highlighted. No information is available on any historic owners or occupants.
Geographical data indicate an approximate location, with an accuracy considered "passible" (note 5/10). GPS coordinates and postal address (2 or 4 rue Porte-aux-Lions) show a slight variation, possibly due to later urban changes. The Creative Commons license associated with François de Dijon's photo allows a free distribution of the image, contributing to the digital exploitation of the heritage.
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