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Building à Montauban dans le Tarn-et-Garonne

Tarn-et-Garonne

Building

    23 Place nationale
    82000 Montauban

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1900
2000
1516
Date engraved on a facade
1556
Date engraved on a facade
6 mars 1917
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Facade and Roofing: by Order of 6 March 1917

Key figures

Pierre Besneville - Architect Master of the National Square.

Origin and history

The building on the Place Nationale in Montauban is part of a remarkable 16th century architectural ensemble. This historic monument is distinguished by its ground floor forming a double vaulted gallery on dogive crosses, while its three upper floors feature alternately rectangular and circular bays. Some houses in this complex bear the engraved dates of 1516 and 1556, attesting to their construction during the Renaissance. The Toulouse architect Pierre Besneville is identified as the masterpiece of this square, whose design is based almost entirely on the use of the brick, with the exception of the arch keys, vaults and window supports, made from another material.

The National Square illustrates the influence of Toulouse architecture in Montauban, with a regularity of ordinances that reflects the aesthetic canons of the time. The facades and roofs of these buildings were classified as Historic Monument by decree of 6 March 1917, highlighting their heritage value. The brick construction, the dominant materials in the region, and the presence of vaulted galleries recall the cultural and artisanal exchanges between Montauban and Toulouse in the 16th century. These architectural elements served both as trading places on the ground floor and as dwellings on the floors, thus organizing the social and economic life of the city.

The architect Pierre Besneville, originally from Toulouse, marked this project with his know-how, combining functionality and aesthetics. The dates engraved on some facades (1516 and 1556) suggest construction spanning several decades, perhaps in connection with Montauban's economic boom at this time. Today, this ensemble remains an exceptional testimony of urban planning reborn in Occitanie, where the brick, local material, was sublimated to create a harmonious and sustainable public space.

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