Construction of attic 1457 (≈ 1457)
Built by the Messina city as an arsenal.
1536
Adding a foothill
Adding a foothill 1536 (≈ 1536)
Structural strengthening on the west side.
fin XVe siècle
Processing into a cereal attic
Processing into a cereal attic fin XVe siècle (≈ 1595)
Initial change of use in warehouse.
27 décembre 1924
Historical monument classification
Historical monument classification 27 décembre 1924 (≈ 1924)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Grenier known as Grange de Chèvremont (former): by order of 27 December 1924
Key figures
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The source text does not mention any specific actors related to this monument.
Origin and history
The Chèvremont attic is an imposing municipal attic erected in Metz in 1457, during a period of prosperity for the city. This building, topped by niches and equipped with "wall-screens" typical of medieval Messina architecture, reflects the enrichment of the local bourgeoisie. Its geometric façades, pierced with aligned windows, and its well-preserved interior layout make it a remarkable example of the utility buildings of the era.
Originally conceived as an arsenal, the attic was transformed into a grain warehouse by the end of the 15th century. Its architecture is based on arches in the middle of the ground floor, originally opened on an inner courtyard, and four storage floors supported by robust pillars. A foothill added in 1536 strengthens its west side structure. Today, it houses a gallery dedicated to the Lorrain religious statuary in the Metz museums.
The attic is part of a thriving medieval Metz, with up to 30,000 inhabitants and a major economic role in Lorraine thanks to its fairs and currency. Attices such as Chèvremont were essential for resource storage and urban prosperity. Ranked historic monument in 1924, it bears witness to the architectural ingenuity and logistical organization of the oligarchic city.
Its history is documented by local sources, such as the works of Amédée Boinet (1922) or Gérald Collot (1967), which highlight its heritage importance. Built into the Gold Court Museum, it illustrates the transition from a utility to a cultural vocation, while preserving its original features, such as the mesh of oak beams and crenellated facades.
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