Windows restoration Années 1920 (≈ 1920)
Partial restoration of the first floor.
8 mars 1923
Frontal classification on street
Frontal classification on street 8 mars 1923 (≈ 1923)
Historic monument protection.
8 août 1991
Classification rear parts
Classification rear parts 8 août 1991 (≈ 1991)
Extension of protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Façade sur rue : classification by decree of 8 March 1923; Rear facade, side façades, stair tower and corresponding roofs; interior, including painted decoration, of the medieval part; facades and roofs of buildings on the courtyard and on the street Obscure; floor of the courtyard and tank (box AK 90, 92, 217, 221, 222): classification by order of 8 August 1991
Key figures
Charles Portal - Local historian
Has analyzed the sculptures of the facade.
Michèle Pradalier-Schlumberger - Archaeologist
Studyed Cordes and its monuments.
Comtes de Toulouse - Regional Lords (legend)
Associated by mistake at home.
Origin and history
The Grand Veneur House, also known as the Céré House, is an iconic Gothic construction of Cordes-sur-Ciel, in the Tarn. Ranked a historic monument in 1923 and 1991, it illustrates the architectural richness of the city in the Middle Ages. Its facade, adorned with ogival arcades and geminied bays, is distinguished by a carved frieze depicting hunting scenes, at the origin of its name. Although often associated with a legend linking Cordes to the Counts of Toulouse, its construction, dated from the 14th century, is in fact several decades later than the disappearance of the latter in 1271.
The house is one of the many Gothic civil buildings that have earned Cordes-sur-Ciel the nickname "City to the hundred warheads". Built by a well-equipped local family, it underwent modifications until the 18th century, notably in the openings of the ground floor. Its architecture, with four floors instead of three, and its carved decorations – although sometimes considered rustic – make it a remarkable testimony of Gothic civil art. The street façade, classified as early as 1923, contrasts with the rear parts, later protected in 1991, which include a stair tower, a cistern and roofs.
Inside, the house retains a typical layout of medieval houses, with rooms elongated with French ceilings and painted wall decorations (damiers, lily flowers, battle scenes). These elements, as well as the Gothic niches and pierces, reflect the prosperity of Cordes in the 14th century, a period that was a delight for the city. The house of the Grand Veneur, like those of the Grand Écuyer and the Grand Fauconnier, thus embodies the architectural and legendary heritage of this perched city, now ranked among the most beautiful villages in France.
Historical sources, such as the works of Charles Portal or Michèle Pradalier-Schlumberger, underline its importance in the urban landscape of Cordes. The house, today private property, remains a symbol of the medieval golden age of the city, marked by economic boom and ambitious civil architecture. Its successive classification allowed to preserve both its emblematic facade and its interior elements, offering a rare glimpse of bourgeois life in the Middle Ages in the southwest.
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