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Hotel Bansard des Bois in Bellême dans l'Orne

Patrimoine classé
Patrimoine urbain
Hotel particulier classé
Orne

Hotel Bansard des Bois in Bellême

    4 Rue Ville-Close
    61130 Bellême
Hôtel Bansard des Bois à Bellême
Hôtel Bansard des Bois à Bellême
Crédit photo : Pucesurvitaminee - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
fin du XVIIIe siècle
Construction of hotel
9 octobre 1979
Classification and registration
Aujourd'hui
Aujourd'hui

Heritage classified

Façades and roofs of the porch (including vantals of the door) (Box AB 322): classification by order of 9 October 1979; Input grid; gallery on courtyard with its guardrail; water body located below the garden (cad. AB 322) : entry by order of 9 October 1979

Key figures

Louis Jacques Mousset - Suspected Sponsor Curé d'Igé (1769-1787), associated with construction.

Origin and history

Hotel Bansard des Bois is a private hotel located in the city of Bellême, in the department of Orne in Normandy. Built at the end of the 18th century, it is distinguished by its elegant architecture, typical of the bourgeois residences of this period. The building consists of three buildings: an entrance porch decorated with pilasters and sculptures, an arcade gallery serving as a walkway and orangery, and the main building. These elements reflect the taste for neoclassical decorations, with details such as metopes, triglyphs and floral garlands.

Ranked and listed as historic monuments in 1979, the hotel bears witness to the heritage importance of Bellême. The porch, with its vantals and carved lintel, as well as the wrought iron gate and adjacent water body, are protected for their architectural and historical value. The hotel was built for Louis Jacques Mousset, parish priest of Igé between 1769 and 1787, suggesting a link with the local clergy or a command linked to an influential figure in the region.

The layout of the buildings, including a closed courtyard and a garden below, illustrates the spatial organization of the mansions of the time. The gallery, with its five curved arcades, was to offer a space of walk and pleasure, while the commons and porch underline the residential and representative function of the place. These features are a notable example of 18th-century civil architecture in Lower Normandy.

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