Crédit photo : PIERRE ANDRE LECLERCQ - Sous licence Creative Commons
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Timeline
XIXe siècle
Époque contemporaine
1900
2000
1877
Completion of construction
Completion of construction 1877 (≈ 1877)
End of work led by Henri Contamine.
1995
Decommissioning of the building
Decommissioning of the building 1995 (≈ 1995)
Abandoned for 15 years.
2010
Repurchase by a family SCI
Repurchase by a family SCI 2010 (≈ 2010)
Acquisition after abandonment period.
6 mai 2014
Registration for historical monuments
Registration for historical monuments 6 mai 2014 (≈ 2014)
Protection of the hotel and its stables.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The hotel and its stables in full (Box KR 37): registration by order of 6 May 2014
Key figures
André Catel-Béghin - Sponsor and Mayor of Lille
Industrial origin of construction.
Henri Contamine - Monument architect
Designer of the hotel in 1877.
Origin and history
The hotel Catel-Béghin is a private hotel located in Lille, in the Nord department, on the boulevard de la Liberté. Commanded by André Catel-Béghin, an industrialist, merchant and mayor of Lille from 1873 to 1878, he was erected by architect Henri Contamine and completed in 1877. This monument illustrates the splendor of bourgeois residences of the period, combining Renaissance and classicism references, with a richly decorated facade and a preserved interior decor.
In the 20th century, the hotel was used by the social service of the northern prefecture before being decommissioned in 1995. Abandoned for fifteen years, it was purchased in 2010 by a family SCI after being acquired by the Northern General Council. Together, including the stables, was inscribed in the historic monuments on 6 May 2014, highlighting its heritage importance.
Architecturally, the Hotel Catel-Beghin is distinguished by its Second Empire style, marked by a classic composition and carved ornaments. It is one of the rare examples preserved in Lille of these great 19th century private hotels, having preserved their original distribution and decor. The journal L-Architecture and Construction in the North provided a detailed description in 1895, mentioning the artists who contributed to its creation.
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