Construction of hotel 1er quart du XVIIe siècle (≈ 1725)
Period of initial building construction.
22 février 1926
Inscription of painted ceiling
Inscription of painted ceiling 22 février 1926 (≈ 1926)
Protection under Historic Monuments.
16 août 1955
Classification of facades and roofs
Classification of facades and roofs 16 août 1955 (≈ 1955)
Extension of heritage protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The ceilings with paintings of 17s: inscription by decree of 22 February 1926; Façade on the square; arched gallery, including floor; roofs on both sides of the building on the square: classification by decree of 16 August 1955
Key figures
Information non disponible - No historical character cited
Sources do not mention any named owner or occupant.
Origin and history
The Caillebot de La Salle hotel, also known as the Castelnau hotel or the Rotrou hotel, is a private hotel located at number 5 of the Place des Vosges in the 4th arrondissement of Paris. This monument illustrates the aristocratic residential architecture of the early seventeenth century, a period marked by the urbanization and beautification of the capital under the influence of Henry IV. Its location, at the southwest corner of Place des Vosges, makes it a key element of this homogeneous architectural ensemble, adjoining the Hotel de Montmorin and the Hotel de Sully.
The building is distinguished by its elements protected by historical monuments: its painted ceiling, inscribed in 1926, as well as its facades, roofs and arched gallery, classified in 1955. These protections reflect the heritage value of its interior decorations and exterior architecture, characteristic of the emerging classical style. The hotel, now privately owned, embodies the prestige of the Parisian mansions of the time, destined for a social and political elite.
The Place des Vosges, a former royal square, was a residence popular with the nobility and the upper bourgeoisie in the seventeenth century. The private hotels that border it, like that of the Hall, reflect the aesthetic and social codes of this period, where art and architecture served to affirm a status. Although the sources do not explicitly mention its historical occupants, its integration into this exceptional urban complex underlines its importance in the Parisian heritage landscape.
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