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Noyon Town Hall dans l'Oise

Patrimoine classé
Patrimoine urbain
Hôtel de ville

Noyon Town Hall

    Place de l'Hôtel-de-Ville
    60400 Noyon
Ownership of the municipality
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Hôtel de ville de Noyon
Crédit photo : D Villafruela - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
1292
First mention of a townhouse
1485–1520
Flamboyant Gothic construction
1552
Partial fire
1689
Traditional transformation
1875
First classification historical monument
1918
Devasation during the Great War
1935
Partial decommissioning
1998 et 2004
New protection
Aujourd'hui
Aujourd'hui

Heritage classified

The facades and roofs of the town hall (Cd. AL 132, 133): classification by decree of 29 March 2004

Key figures

Matthieu Réaulme - Architect Directed the Gothic construction (1485–1520).
Pierre Binard - Architect Transforms the hotel into a classic style (1689).
Émile Pinchon - Sculptor Author of the bas-reliefs of the Colonial Exhibition (1931).
Joseph Porphyre Pinchon - Painter and illustrator Creator of *Bécassine*, author of a painting (1919).
Jacques Sarazin - Sculptor (XVI century) Statue exposed in the city hall.

Origin and history

The town hall of Noyon found its origins in the Middle Ages, with a first mention of a townhouse in 1292, replaced by a flamboyant Gothic building built between 1485 and 1520 under the direction of architect Matthieu Réaulme. A fire in 1552 partially destroyed the building, saving the house, while the belfry, rebuilt several times since 1293, was never restored. The façade preserves 16th century carved decorations, mixing real and fantastic animals, as well as plant motifs, testimony to its flamboyant style.

In the 17th century, architect Pierre Binard transformed the town hall into a classic style, adding elements such as balustrades, skylights and a campanile. Ranked a historic monument in 1875, the building escaped a medieval restoration deemed too expensive. Destroyed during the 1918 fighting, it was restored in the 1920s and 1930s, with a concrete frame and a modern extension for the administrative services. However, the demolition of nearby houses from the 17th and 18th centuries in 1935 led to its decommissioning, before a new protection in 1998 and 2004.

The interior houses major artistic works, including seven marouflage paintings (1942-1943) illustrating local history, by Largeteau, Hoffmann and Beaupuy. There are also bas-reliefs by Émile Pinchon (Colonial Exhibition of 1931), a painting by Guyenot (Travaux des Champs, 1944), and a painting by Joseph Porphyre Pinchon commemorating the handover of the Cross of War to Noyon in 1919. The honorary salon exhibits the Evangeliar of Morienval, a Carolingian manuscript, and a statue of Jacques Sarazin, a 16th century Noyon sculptor.

The more sober oriental facade features an octagonal staircase turret called the beautiful ascent, while the main façade, decorated with empty niches and archatures, bears traces of revolutionary mutilations on its monarchic symbols. Despite the restorations, the carved decoration of the 16th century remains very altered today, reflecting the vicissitudes of a monument marked by fires, wars and architectural transformations.

External links