Refurbishment of the Hotel des Monnaies 1619 (≈ 1619)
Ordained by vice-legate Jean-François de Bagni.
1860
Conversion into conservatory
Conversion into conservatory 1860 (≈ 1860)
Become a national music conservatory.
1862
Classification of the façade
Classification of the façade 1862 (≈ 1862)
Protection under Historic Monuments.
2007
End of use as conservatory
End of use as conservatory 2007 (≈ 2007)
Closed after 147 years of musical activity.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Façade : list of 1862
Key figures
Jean-François de Bagni - Vice-legate
Sponsor of the renovation in 1619.
Paul V - Pope (1605–1621)
Dedication of the Hotel des Monnaies.
Olivier Messiaen - Composer (1908–1992)
Tribute by the name of the conservatory.
Origin and history
The Hotel des Monnaies in Avignon stands opposite the main entrance of the Popes' Palace, in the heart of the old town. Its current construction dates back to 1619, when vice-legate Jean-François de Bagni ordered its renovation, as evidenced by a white marble plate engraved in Latin. This monument was dedicated to Pope Paul V, then in office, and its Baroque facade bears the arms of the Borghese family (aigles and dragons), reflecting the pontifical influence on the city.
In 1860, the Hôtel des Monnaies changed its vocation to host the National Conservatory of Music in Avignon. Later, he was renamed a tribute to Olivier Messiaen (1908–1992), a 20th-century Avignonese composer. The building served this function until 2007, marking its anchor in local cultural life. Its façade, classified as Historic Monument in 1862, bears witness to its heritage importance.
The building is located in an urban context marked by the 14th century ramparts and private hotels of the 16th–15th centuries. Nearby, the Palace of the Popes and the Cathedral of Notre-Dame-des-Doms recall the religious and political past of Avignon, while the neighbouring cardinals illustrate the fascist of the princes of the Church. The Hotel des Monnaies, although less known than these monuments, embodies the transition from the papal era to the modern cultural development of the city.
The Avignon basement also contains ancient remains, especially around the Place de l'Horloge, an ancient site of the Roman forum. However, the Hotel des Monnaies itself does not keep traces of that time. Its recent history, linked to music and artistic teaching, makes it a symbol of the contemporary cultural vitality of Avignon, which has been a UNESCO World Heritage Site since 1995.
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