Crédit photo : Daniel VILLAFRUELA. - Sous licence Creative Commons
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Timeline
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1601-1700
Construction of hotel
Construction of hotel 1601-1700 (≈ 1651)
Certified construction period.
18 octobre 1971
Partial classification
Partial classification 18 octobre 1971 (≈ 1971)
Protection of facades, roofs and interior elements.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs of both buildings; inside staircase of the large building; painted ceiling of the small building (Box H 594): inscription by order of 18 October 1971
Key figures
Information non disponible - No name cited
Sources insufficient to identify characters.
Origin and history
The Semur-en-Auxois mansion is an emblematic 17th-century building, located at 5 rue Févret in the Côte d'Or department. This monument, listed in the inventory of Historic Monuments since 1971, is distinguished by its facades and roofs, as well as by an interior staircase and a painted ceiling, elements protected by ministerial decree. Its location in the city center, although considered approximate (precision noted 5/10), makes it an architectural witness to the urbanism of the modern era in Burgundy.
The protection of the private hotel specifically covers the facades and roofs of the two buildings, the interior staircase of the large building, and the painted ceiling of the small building. These artistic and structural features reflect the aristocratic or bourgeois residential style of the 17th century, a period marked by a boom in private luxury constructions in France. The lack of details on its current use (visit, rental, accommodation) or its historic owners limits its understanding of its precise social role, but its ranking underscores its heritage importance.
Semur-en-Auxois, a medieval fortified town, was at that time a commercial and administrative crossroads in Burgundy. Private hotels symbolized the economic and cultural power of local elites, often linked to judicial or ecclesiastical institutions. Although the sources do not mention any specific character or event related to this building, its architecture is part of a regional context in which civil constructions competed with religious monuments, reflecting a society that is changing between Renaissance and classicism.
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