Construction of house 2e moitié du XVIIIe siècle (≈ 1850)
Estimated construction period of the building.
15 mars 1928
Front protection
Front protection 15 mars 1928 (≈ 1928)
Registration by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The facades on Rue Vieille-du-Temple (including the vantals of the door), on Rue de Bretagne and on the courtyard: inscription by order of 15 March 1928
Key figures
Information non disponible - No character identified
Sources insufficient for attribution.
Origin and history
The house located at 137 rue Vieille-du-Temple and 1 rue de Bretagne, in the 3rd arrondissement of Paris, dates from the second half of the 18th century. This civilian building, typical of the Parisian architecture of the time, was partially protected by a decree of 15 March 1928, which inscribed its facades on the rues Vieille-du-Temple and Brittany, as well as on the courtyard, including the vantaux of the door. These architectural elements reflect the aesthetic and urban codes in force during the reign of Louis XV and Louis XVI, marked by an increasing concern for symmetry and measured ornamentation.
The 3rd arrondissement of Paris, known at the time as the Marais district, was then a residence popular with the nobility and the wealthy bourgeoisie. The houses of this period served as both housing and social status symbols, often incorporating carefully worked interior courtyards and facades. The protection of 1928 underscores the heritage value of this building, a witness to the urban evolution of Paris before the major upheavals of the French Revolution. The precise location of the monument, although noted as "passable" (level 5/10), remains a reference point for the study of the Parisian habitat of the Enlightenment.
No information is available about original owners, architects or specific events related to this house. Sources are limited to architectural data and its protection as historical monuments. The Creative Commons license associated with the photo of the monument (credit: Oderik) indicates a desire to publicize this heritage, while highlighting the limitations of current knowledge on its detailed history.
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