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Saint John Baptist Church of Returnnac à Retournac en Haute-Loire

Patrimoine classé
Patrimoine religieux
Eglise
Eglise romane
Haute-Loire

Saint John Baptist Church of Returnnac

    Rue Traversière
    43130 Retournac
Ownership of the municipality
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Église Saint-Jean-Baptiste de Retournac
Crédit photo : Torsade de Pointes - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
Fin XIIe siècle
Initial construction
1446
Foundation of the College
1674
Northern chapel added
1729
Construction campaign
1791
Removal of the collegial chapter
23 octobre 1907
Historical monument classification
1966-2006
Creation of contemporary stained glass windows
Aujourd'hui
Aujourd'hui

Heritage classified

Church: Order of 23 October 1907

Key figures

Jean de Bourbon - Bishop of Puy (1443-1485) Founded the college in 1446.
Alexandre III - Pope (1159-1181) Confederate the castles to the bishop of Puy in 1165.
Henri Guérin - Master glassmaker (1929-2009) Author of contemporary stained glass (1966-2006).
Philippe Kaeppelin - Contemporary Artist Created liturgical furniture in 1983.

Origin and history

The church of Saint-Jean-Baptiste de Retournac, listed as a historical monument in 1907, is a Romanesque religious building built at the end of the 12th century in the Haute-Loire department. Its initial architecture includes a nave of three spans, a semicircular apse and two apsidioles, characteristic of the auvergnat Romanesque style. The red volcanic and yellow sandstone walls, drawn from local quarries, reflect the geological resources of the region. The bell tower, with bolt holes, suggests a defensive role in the medieval fortifications system of the village, probably linked to the old castle today gone.

The founding of a collegiate church in 1446 by Jean de Bourbon, bishop of Puy, marks a key step in the history of the church. This religious institution, abolished in 1791 during the Revolution, reflects the ecclesiastical influence on Retournac, a co-seigneury shared between the bishopric of Puy and the barony of Roche-en-Régnier. The architectural modifications of the 17th and 18th centuries, such as the addition of side chapels (one dated 1674 and another 1729) and the elevation of the walls of the nave, illustrate the evolution of the liturgical and funeral needs of the community.

The church is home to a remarkable artistic heritage, including a 16th century painting of the Virgin and Child (Italian school) and contemporary stained glass by Henri Guérin, made between 1966 and 2006. These non-figurative glass slab works offer a retrospective of modern glass art. The liturgical furniture, created in 1983 by Philippe Kaeppelin, and the Romanesque capitals with foliage recall the historical and cultural richness of the site. The building, a communal property, remains a symbol of the religious and architectural heritage of the Haute-Loire.

The origins of the parish date back at least to the 990s, mentioned in Chamalières' cartular for a manse donation. In the 12th century, Returnnac became a place of donations to the Chamalières Abbey, confirming its religious and seigneurial importance. The presence of the old castle, now demolished, and traces of fortifications (such as the bell tower bolt holes) underline the church's strategic role in the local medieval landscape.

Architectural features include a dome in the third span, supported by tubes, and double arches based on semi-columns with deciduous capitals. The deformations of the drip walls, caused by the thrust of the vaults, reveal the technical challenges of the Romanesque construction. Subsequent changes, such as the west gate replacing the old south access, reflect the successive adaptations of the building to the cultural practices and needs of the population.

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