Initial construction XIIIe siècle (≈ 1350)
Romanesque building in granite and stone
Premier quart du XVIe siècle
Statue of Salome
Statue of Salome Premier quart du XVIe siècle (≈ 1625)
Polychrome limestone says the Danserelle
1648
Certified renovation
Certified renovation 1648 (≈ 1648)
South gate and dated lintel
XVIIe siècle
Creation of furniture
Creation of furniture XVIIe siècle (≈ 1750)
Table and statues of painted wood
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Victor Forot - Author and scholar
Studyed the statue of Salome in 1914
André Mazeyrie - Illustrator and contributor
Collaborate in publications on Salome
Jean Dutrech - Author limousin
Evoked the "tragedy of Salomeus" in 1914
Origin and history
The church of the Nativity of Saint John the Baptist, located in the heart of Chavanac in Corrèze, is a religious building built in the 13th century in a Romanesque style. Its architecture combines granite and cut stone, covered with a bell tower with two campanary bays each housing a bell. A rare feature: its two doors opposite, one Romanesque to the north (main gate), the other rectangular to the south, dated 1648 as attests the lintel.
The interior preserves precious liturgical furniture, classified in the Palissy inventory. Among the major pieces are a wooden altarpiece painted from the seventeenth century, decorated with biblical figures (Christ, Virgin, Saint John the Baptist) and d'angelots, as well as wooden statues painted from the Virgin to the Child and Saint John, both from the seventeenth century. A polychrome limestone statue of Salome called the Danserelle (first quarter of the 16th century) is distinguished by its rare iconography and its state of conservation.
The church illustrates local architectural and artistic developments, from medieval novel to baroque additions. Its furniture reflects popular devotion and religious patronage in Limousin, especially through works such as the Danserelle, studied by scholars such as Victor Forot and André Mazeyrie from the early twentieth century. These elements bear witness to both spiritual and historical heritage.
Integrated into the village landscape, the church plays a central role in the community life of Chavanac, close to the town hall. Its state of conservation and its stylistic characteristics make it a monument representative of the rural religious heritage of New Aquitaine, while highlighting the local characteristics of the Corrèze.
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