Destruction of the old church 1944-1945 (≈ 1945)
During the liberation fighting.
1956
Start of reconstruction
Start of reconstruction 1956 (≈ 1956)
Project entrusted to Conan and Delayre.
1956-1958
Construction of the current church
Construction of the current church 1956-1958 (≈ 1957)
Greek cross plan and concrete structure.
23 novembre 2006
Label *Twentieth Century Heritage*
Label *Twentieth Century Heritage* 23 novembre 2006 (≈ 2006)
Recognition of its architectural value.
mars 2025
Registration for historical monuments
Registration for historical monuments mars 2025 (≈ 2025)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Registered MH
Key figures
Henri Conan - Architect
Co-conceptor of church in 1956.
René Delayre - Architect
Co-author of project with Conan.
Gabriel Loire - Glass painter
Author of the glass frieze on Mary.
Origin and history
The church of Notre-Dame-de-Pitié de Kervignac, located in Morbihan, replaces the former church of Saint Peter and Saint Paul, destroyed during the fighting of the Liberation (1944-1945). His reconstruction was entrusted in 1956 to architects Henri Conan and René Delayre, after the rejection of a first rotunda project by the diocesan commission. The choice is ultimately on a Greek cross plan, with a concrete structure and granite trimmings, typical of post-war religious architecture.
The construction extended from 1956 to 1958, integrating major artistic elements such as a glass frieze by Gabriel Loire illustrating the life of Mary. The openwork bell tower and monumental porch, decorated with statues of the apostles, highlight its sober yet symbolic style. The church is dedicated to Our Lady of Mercy, in memory of the sufferings of war. She won the 20th Century Heritage label in 2006 and was listed as a historical monument in 2025.
The building is distinguished by its apparent concrete frame, using the technique of the upper cruck, and its slate roof. The combination of modern (beton) and traditional materials (granite, slate) reflects a desire for renewal while anchoring the building in the local heritage. Its location on the Church Square makes it a central point of the municipality, both religiously and architecturally.
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