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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
…
1900
2000
XIe et XIIe siècles
Initial construction
Initial construction XIe et XIIe siècles (≈ 1250)
Benedictine edification, mentioned in 1184.
23 octobre 1907
Historical Monument
Historical Monument 23 octobre 1907 (≈ 1907)
Official church protection.
4e quart du XIXe siècle
Building extension
Building extension 4e quart du XIXe siècle (≈ 1987)
Add a span to the west.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: Order of 23 October 1907
Key figures
Bénédictins - Suspected Founders
Religious order at the origin of the church.
Abbaye de la Chaise-Dieu - Related institution
Mentioned in 1184 as a beneficiary.
Origin and history
Saint-Martin de Dunières Church is a Catholic religious monument located in the commune of Dunières, Haute-Loire, in the Auvergne-Rhône-Alpes region. Its construction spans mainly between the 11th and 12th centuries, with a significant extension at the end of the 19th century. The building has been classified as historic monuments since 1907, highlighting its heritage and architectural importance.
The church is said to have been founded by the Benedictines and is mentioned in 1184 as dependent on the Abbey of the Chair-God. It has a three-nave structure, whose original vaults have mostly disappeared, with the exception of the spans preceding the apses. The latter are arched in a cradle and communicate laterally with each other. The pillars of the nave, of quadrilobed form, evoke the influence of the poitevin art and are surmounted by carved capitals. An additional span was added to the west during the 19th century work. The cul-de-four vaulted L.
The building is owned by the municipality of Dunières and its exact address is 9 Place de l'Hôtel de Ville. Its ranking in 1907 by ministerial decree protects the entire church, reflecting its historical and cultural role in the region. Architectural elements, such as quadrilobed pillars and capitals, as well as traces of polychromy, offer an overview of medieval artistic techniques and styles, enriched by subsequent modifications.
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