First mention of a Romanesque church XIIe siècle (≈ 1250)
Early building reported in chronicles.
XVe siècle
Construction of the current church
Construction of the current church XVe siècle (≈ 1550)
Replaces the previous Romanesque building.
XVIe siècle
Making murals
Making murals XVIe siècle (≈ 1650)
Paints degraded during the wars.
1600-1699
Developments and drills
Developments and drills 1600-1699 (≈ 1650)
Choir windows and modifications.
1er mars 1966
Historical monument classification
Historical monument classification 1er mars 1966 (≈ 1966)
Painting, painted decoration and church protected.
1996
Restoration of frescoes
Restoration of frescoes 1996 (≈ 1996)
Work after release.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box B 489): Order of 1 March 1966
Key figures
Mammès de Césarée - Holy martyr
Polychrome wooden statue present.
Saint Nicolas - Church patron
Dedication of the religious building.
Saint Michel - Sculpted representation
Get the front of the gate.
Origin and history
Saint-Nicolas de Saint-Nicolas-des-Motets Church, located in the Indre-et-Loire department in the Centre-Val de Loire region, is a Catholic parish building dedicated to Saint Nicolas. Although mostly built in the 16th century, it succeeds a Romanesque church mentioned in the 12th century in local chronicles. The transformations, like the drilling of bays, continued until the seventeenth century, reflecting the architectural and religious evolutions of the time.
The church presents a sober architecture, composed of a two-span nave and a choir without transept, separated by a third-point arch. Its classical orientation (nave to the west, choir to the east) respects the cannons of Catholic religious buildings. The western Renaissance-style portal features a partial inscription probably taken from Timothy's First Epistle, while 16th-century murals, restored in 1996, adorn the lateral walls of the choir and nave. These frescoes, damaged during the religious wars, testify to the religious conflicts of the time.
The church furniture includes remarkable elements, such as a polychrome wooden statue of Mammès de Caesarea, as well as a 17th century Adoration of the Magi inspired by Rubens. These works, classified as historical monuments in 1966 with painted decoration, highlight the artistic and spiritual richness of the place. The flat bedside of the choir, illuminated by 17th century windows, and the third-point arcade separating the nave from the choir, probably prior to the 15th century, recall the historical strata of the building, mixing Romanesque heritage and Gothic or reborn additions.
The church, owned by the municipality, is open to the public and retains a central role in the local heritage. Its Renaissance portal, adorned with two angels wearing a shield and surmounted by a representation of Saint Michael terrorizing the dragon, illustrates the influence of ancient and Christian motifs during this period. The chronicles and legal protections ( 1966 classification) attest to its historical and cultural importance in the Tourangelle region.
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