Crédit photo : Original uploader was Freb at fr.wikipedia - Sous licence Creative Commons
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Timeline
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
…
1700
1800
1900
2000
XIIIe siècle
Initial construction
Initial construction XIIIe siècle (≈ 1350)
Romanesque fortified church with dungeon.
XVIIe siècle
Roof modification
Roof modification XVIIe siècle (≈ 1750)
Added a new cover.
9 juillet 1889
Historical monument classification
Historical monument classification 9 juillet 1889 (≈ 1889)
Official protection of the building.
1974-1980
Major restoration
Major restoration 1974-1980 (≈ 1977)
Works including naves and panelling.
22 mai 2021
Choir fire
Choir fire 22 mai 2021 (≈ 2021)
Damage limited to wooden platforming.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Saint-Arnould Church: Order of 9 July 1889
Key figures
Information non disponible - No characters cited in the sources
The texts do not mention any historical actors.
Origin and history
The Church of Saint-Arnould d'Arry is a Catholic religious building located in the commune of Arry, Moselle (Great East Region). Built in the 13th century, it has a fortified Romanesque structure, typical of the hall churches of Lorraine, with a Gothic-style choir decorated with remarkable frescoes. Originally conceived as a strong house including a dungeon, it was covered with a roof in the 17th century, then restored between 1974 and 1980, with a reconstruction of the two naves under panel in 1976.
Ranked a historic monument by order of 9 July 1889, the church suffered a minor fire in 2021: the wooden platform of the choir, supporting the altar, was partially burned on an area of 40 cm. A complaint was filed by the mayor of Arry, but the damage remained limited. The building, owned by the commune, retains its status as the only ancient vestige of the town, bearing witness to medieval religious defensive architecture.
The church of Saint-Arnould illustrates the evolution of places of worship in Lorraine, where fortified churches served both as sanctuary and refuge for local populations. His Gothic choir, contrasting with the Romanesque nave, reflects the stylistic transitions of the Middle Ages. The frescoes, although not dated precisely in the sources, add a rare artistic dimension to this type of rural monument.
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