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Church of Saint Martial d'Orgnac-sur-Vézère en Corrèze

Corrèze

Church of Saint Martial d'Orgnac-sur-Vézère

    25 Place de l'Eglise
    19410 Orgnac-sur-Vézère

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1500
1600
2000
Moyen Âge (période romane)
Integrated Romanesque Chapels
XVe siècle
One hundred Years Postwar Restoration
2013
Installation of modern stained glass windows
Aujourd'hui
Aujourd'hui

Key figures

Saint Martial - First Bishop of Limoges Church patron, evangelizer of Limousin
Kim En Joong - Contemporary Artist Author of stained glass windows installed in 2013
Saint Étienne d'Obazine - Founder of the order of Obazine Represented in the altarpiece and a bust

Origin and history

The church of Saint Martial d'Orgnac-sur-Vézère is a Catholic building located in the department of Corrèze, New Aquitaine. It is distinguished by its atypical north-east/south-west orientation, unlike the east-west tradition. Two Romanesque capitals, integrated into the bell tower, bear witness to its medieval origin, while its restoration in the 15th century follows the damage suffered during the Hundred Years War. The ogival gate, topped by a bay in the middle of the wall decorated with sculptures, and the bell tower with two campanary bays illustrate this stylistic duality.

Inside, the unique nave, flanked by two side chapels, leads to a rectangular choir finished with a flat bedside. A fake trompe l'oeil altarpiece decorates the latter. Among the remarkable furniture elements are a procession cross of the 15th century, a large retable of the 17th century (perhaps from the Chartreuse du Glandier), and two bust-reliquary of the 17th–15th centuries. In 2013, eleven modern stained glass windows designed by Kim En Joong were added, combining heritage and contemporary creation.

Placed under the patronage of Saint Martial, evangelizer of Limousin and first bishop of Limoges, the church embodies a place of worship rooted in local history. Its protected furniture, such as the 18th-century high altar or statues of Saint Stephen of Obazine, reflects its spiritual and artistic role throughout the centuries. Successive restorations, especially after the Hundred Years War, highlight its resilience and adaptation to historical hazards.

External links