Construction begins vers 1491 (≈ 1491)
Initiated by Anne of Brittany
1532-1547
Resumption of work
Resumption of work 1532-1547 (≈ 1540)
Under Andre de Foix
vers 1613
Construction of the bell tower
Construction of the bell tower vers 1613 (≈ 1613)
Date engraved in stone
1840
Historical monument classification
Historical monument classification 1840 (≈ 1840)
First list of MHs
1848
Completion of the bell tower
Completion of the bell tower 1848 (≈ 1848)
Directed by Guenepin
2015
Restoration of stained glass windows
Restoration of stained glass windows 2015 (≈ 2015)
37 glass windows of the sixteenth century
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Église Saint-Pierre (Box B 249): ranking by list of 1840
Key figures
Anne de Bretagne - Sponsor
Start construction around 1491
André de Foix - Lord of Montfort
Resumed work (1532-1547)
Jean-Baptiste Guenepin - Architect
Finish the bell tower in 1848
Origin and history
Saint-Pierre de Montfort-l'Amaury Church is a Gothic building built around 1491 on the initiative of Anne de Bretagne to replace an old 11th century Romanesque building. Only part of the Romanesque bell tower remains from that time. The works, interrupted, resumed between 1532 and 1547 under the direction of André de Foix, lord of Montfort, who oversees the extension of the church. This monument, of an exceptional size for a small town, illustrates the strategic and religious importance of Montfort-l.
A bell tower was erected around 1613, as evidenced by an engraved inscription, but its construction was not completed until 1848, under the direction of architect Jean-Baptiste Guenepin. This slow pace is due to financial or political interruptions, typical of large medieval and modern construction sites. The church was listed as a historic monument in 1840, recognizing its early heritage value.
The church houses a series of 37 stained glass windows made in the second half of the sixteenth century, restored in 2015. These glass windows, of remarkable artistic quality, constitute one of the most complete ensembles in the Île-de-France region for this period. Their iconography, combining religious scenes and decorative motifs, reflects the artistic influences of the Renaissance and local piety.
The site also preserves traces of its Romanesque origin (XI century), visible in a part of the bell tower, recalling successive architectural transformations. These historical strata make St. Peter a unique witness to the evolution of construction styles and techniques, from the Middle Ages to the contemporary era.
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