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Saint-Salvy Church of Magrin dans le Tarn

Patrimoine classé
Patrimoine religieux
Eglise
Tarn

Saint-Salvy Church of Magrin

    Le village
    81220 Magrin
Église Saint-Salvy de Magrin
Église Saint-Salvy de Magrin
Église Saint-Salvy de Magrin
Église Saint-Salvy de Magrin
Église Saint-Salvy de Magrin
Église Saint-Salvy de Magrin
Église Saint-Salvy de Magrin

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle
Initial construction
XVe siècle
Construction of sacristy
XVIe siècle
Making frescoes
1929
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Vault decorated with paintings of the sacristy: inscription by decree of 6 November 1929

Key figures

Information non disponible - No character cited The source text does not mention any historical actors.

Origin and history

The church of Saint-Salvy de Magrin, located in the Tarn in Occitanie, is a religious building whose origins date back to the twelfth century, with major transformations in the 15th and 16th centuries. Its architecture thus combines medieval and reborn elements, reflecting the stylistic and cultural evolutions of these periods. The sacristy, adjacent to the southern flank, is particularly notable for its 15th century dary-crossed vault, whose ground ribs bear witness to a refined architectural know-how.

The sacristy is home to 16th-century frescoes, comparable to those of the Cathedral of St. Cécile of Albi, with rinceaux motifs on a dark background and figures of angels or musicians. These paintings, now unique remains of a larger decor, once covered the walls and the walled frame of the church. In the 19th century, they were covered with a padigeon, while the frame was replaced by a neo-Gothic vault, erasing part of this pictorial heritage.

Classified as a Historical Monument since 1929 for its painted vault, the sacristy illustrates the artistic and historical importance of the building. The church, owned by the commune of Magrin, preserves a rare testimony of southern religious art, between medieval heritage and renaissant influences. Its present state, although partially altered, makes it possible to appreciate the richness of the decorations that once adorn the places of worship of the region.

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