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Saint Marguerite Church of Bairols dans les Alpes-Maritimes

Alpes-Maritimes

Saint Marguerite Church of Bairols

    10 M56
    06420 Bairols

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1600
1700
1800
1900
2000
XIe siècle
First quote from Bairols
1645
Painting of the Rosary by Jean Rocca
XVIIe siècle
Baroque enlargement of the church
Aujourd'hui
Aujourd'hui

Key figures

Antoine Ceppi - Retable donor Captain Turin, sponsor of the painting.
Jean Rocca - Painter of the Rosary (1645) Author of the painting in the chapel.

Origin and history

The Sainte-Marguerite church of Bairols is a Catholic building located in the perched village of Bairols, in the Alpes-Maritimes. This village, named after Bairollum in the 11th century, was a fief of the Grimaldi of Beuil. The church, built at the top of a ridge, dominates the village and gives it a distinctive shape in S. Originally Romanesque, it was enlarged in the 17th century by retaining its original apse, while being reoriented northward and enlarged.

The 17th century enlargement preserved the Romanesque door while adding a unique baroque nave, a deep choir and two side chapels. The vault, decorated with paintings depicting angelots, flowers and foliage, covers the whole. The choir houses a baroque altarpiece adorned with salomonic columns, golden pampres and a painting of the Crucifixion by Antoine Ceppi, captain of Turin. Statues of the Virgin to the Child and St Joseph complete this set.

The first lateral chapel presents a picture of the Souls of Purgatory, while the second houses a Rosary painted in 1645 by Jean Rocca, active artist between 1608 and 1654. The church also preserves a processional statue of Saint Marguerite terrasing Tarasque, classified as historical monuments. These elements illustrate the artistic and religious importance of the place, marked by Baroque influences and a rich iconography.

The village of Bairols, built on a rocky ridge, reflects a medieval occupation typical of the Alpes-Maritimes, where churches played a central role in community life and the defence of the territories. The building, with its architecture and furniture, bears witness to the stylistic evolutions between novel and baroque, as well as historical links with the Grimaldi and local donors such as Antoine Ceppi.

External links